Congratulations to Dean Haspiel!

Dean Haspiel, visionary and co-founder of the New York based Act-I-Vate webcomics collective (whose webcomics are more upscale and adult-oriented than your typical fare), recently won himself an Emmy for the main title design of HBO’s Bored To Death.

Congratulations!

Let’s not forget, the Emmy is the first step to the elusive EGOT (Emmy, Grammy, Oscar, and Tony). I’m guessing Mr. Haspiel, though, would probably be closer to acquiring an Eisner (which he’s been nominated twice for, including “Best Webcomic”) and a Pulitzer first.

Haspiel had also signed on to do a comic for Zuda Comics. He shared his idea for what he expects Zuda to represent now that it is no longer providing free comics online:

A tough racket this comics making business. But, if there’s one thing I’ve come to believe, it’s good to be different. And, if Vertigo, my bread and butter publisher the last few years, has been dubbed “the HBO of comics,” then I posit that Zuda is “the IFC of comics,” where, like ACT-I-VATE, alternative concepts are refined online with the distinct intent to expose and develop fresh voices that could otherwise be lost in the gutters.

“The HBO of comics” and “The IFC of comics,” huh? That sounds like highfalutin Emmy winner talk to me. Still comics are now more closely tied to the Hollywood entertainment industry than ever before, and Mr. Haspiel has shown that webcomics and webcomic creators are coming to the party, too.

Dean Haspiel on Act-I-Vate and being the “dean of Web comics”

Dean Haspiel recently was interviewed for an article in the New York Times. He talks about how he ended up founding the Act-I-Vate collective, building a loyal fanbase, and the misconception that just because you’re willing to give something for free online, no one will ever pay for your stuff later. I’m copying and pasting the article here. (I have no idea if this is falling under the curtain of the New York Times subscription service at a later date.)

It’s always heartwarming, by the way, to see a highly reputable newspaper like the New York Times cover webcomics. Can an economic analysis of digital comics from rival Wall Street Journal be far off in the future?

DEAN HASPIEL, a 41-year-old resident of Carroll Gardens, Brooklyn, is not your stereotypical comic book eccentric. He is charming and funny, and he enjoys bringing people together, whether to talk about comic books or knock back a sociable Scotch.

Mr. Haspiel’s credits include illustrating “The Quitter,” the autobiographical tale of his fellow comic book maven Harvey Pekar, and Jonathan Ames’s graphic novel “The Alcoholic,” about life under the influence. His art is defined by bold lines and figure work reminiscent of the legendary comic book artist Jack Kirby.

A native New Yorker with dark hair and a scruffy beard, Mr. Haspiel has lately become something of a champion of Web comics. His work can be found online in “Billy Dogma,” a noirish tale of love and redemption; at Act-I-Vate.com, an online cartoonist collective that he founded three years ago; and at “Street Code,” his semiautobiographical anecdotes of city life, at zudacomics.com.
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