Random Quickie: Power Play

Aside

I got an email recently from Reilly Brown that Power Play, a comic he illustrates with writer Kurt Christenson, will be making a debut at New York Comic Con next week. I got a chance to see an advanced copy, and I have to say it’s very well done. Young men and women gain superpowers, but rather than learning that with great power come great responsibility, they show off their skills in super parkour and live to get tons of hits on YouTube.

Enter Mac, a full-bodied college-aged slacker who gains his powers the old school way of getting zapped by lightning. Suddenly, he finds out he can take on the properties of any material he touches. So, sorta like the Absorbing Man. He comes into contact with beer, and he starts leaking gallons of yellow fluid. His “friends” quickly see dollar signs in their eyes … and decide that he’s destined for fame and fortune in the Power Play tournament, which is extreme sports for people with superpowers.

Thus far, it’s a fun, lighthearted tale… something like the Archie gang meets TV’s Teen Titans. Some of the hip youth dialogue is kinda corny (“Oh, snap! Tentacle Bitchslap! Bam!”), but that’s part of the charm. The superheroes we meet have interesting designs: one looks a little like Mandrake the Magician, and other is an octopus in a hoodie. Who can hate that? And I admit, I have a fondness for the Ice Queen, a skimpily dressed ice skater with a Schwarzenegger-like vocabulary of cold-based puns.

Power Play is available online only at Comixology, which is currently running a free preview.

The Webcomic Overlook #185: Dynagirl

There was a short lived TV series back in the 1970′s called Electra Woman and Dyna Girl. It was created by Sid and Marty Krofft, those crazy puppeteers who made bizarre, psychedelic shows which tread the line between fantastic and nightmare-inducing. They’re likely lost to younger Webcomic Overlook readers these days: H. R. Pufnstuf, Sigmund and the Sea Monsters, and Land of the Lost. Electra Woman and Dyna Girl was supposed to be a callback to the much more famous 1960′s Batman series. They wore spandex, rode around in Electri-Car before the Nissan Leaf made it cool again, and fought villains with names like Empress of Evil and Glitter Rock… who, frankly, sound like they should be opening for KISS.

If you could sum up the seventies in the span of one minute, you can’t get more accurate than the show’s opening sequence:

Electra Woman and Dyna Girl was never really that popular, and it lasted all of 16 episodes.

And yet … in 2001, some genius decided that it was ready for a reboot. Seriously. And it was as stereotypically 1990′s comic book reboot as you can get. Electra Woman (played by Night Court’s Markie Post) was a washed-up, drunk, divorced superheroine who was brought back into action by an all new Dyna Girl. Now, admittedly this sounds like a pretty terrible concept. However, it’s pretty remarkable when you consider that a) this was a year before Spider-Man officially kicked off the decade when superhero movies dominated the box offices, and b) a full three years before The Incredibles, which rode a very similar premise to boffo returns. (To be fair, though, the whole “washed up superhero” trope had already been done with Watchmen.)

There’s also a webcomic entitled Dynagirl, written by Cary Kelley and illustrated by Harold Edge… and … it’s not that same Dyna Girl created by Sid and Marty Krofft.

Or … is she?

Because, despite the fact that she’s sporting hot pants rather than spandex, Dyna Girl follows what sounds like a very similar story arc as the one Markie Post did in the 2001 reboot.


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One Punch Reviews #49: Birth of Venus

If you’ve only followed superheroes through the big screen movies, you may be surprised to find that their comic counterparts have had pretty brutal storylines. We are long past the “Comics aren’t just for kids anymore!” to “Don’t set foot in a comic shop without your parent’s permission.” Particularly heinous are comics where Sue Dibny (Elongated Man’s wife) gets raped by supervillain Dr. Light and Jeph Loeb’s Ultimatum, which included heartwarming scenes like The Thing crushing Dr. Doom’s head and The Wasp getting eaten by a cannabilistic Blob.

And I haven’t even gotten to the far more gruesome stories written by Garth Ennis and Mark Millar. (In fact, in one of the stories, a supervillain gets revenge on the hero by impregnating his daughter with his gay son’s DNA … and if anyone tried to abort the fetus, the girl’s womb would collapse. Ungh.)

Long story short, it seems that the modern superhero comic market seems to be targeted exclusively toward juggalos. In comparison, Birth of Venus, where the superheroine gets her powers as a side effect to rape, is pretty damn sunny.

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The Webcomic Overlook #170: Malaak: Angel of Peace

Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound! Look up in the sky! It’s a bird! It’s a plane! It’s Malaak: Angel of Peace!

*cue heroic sounding music*

Yes, it’s Malaak, strange visitor from deep in the forests who came to the city with powers and abilities far beyond those of mortal women! And who, disguised as a student at a great metropolitan university, fights a never ending battle for truth, justice, and the Lebanese way!

Malaak was created by Joumana Medlej, a Lebanese illustrator. She has done drawings for children’s books, specifically a Lebanese heritage series. In her FAQ, she descibes Malaak as “Lebanon’s first and only superhero or adventure full-length series.” This comic is similarly aimed at readers who are typically younger than the current American fanboy crowd … that is, younger than 30, at least.

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The Webcomic Overlook #154: Wayward Sons: Legends

Remember that Tim Burton movie, Alice In Wonderland? You know, the one with a grown-up Alice? The one where Wonderland (or Underland, whatever) got transformed into some sort of Tolkienesque fantasy world? The one where Johnny Depp as the Mad Hatter did that stupid dance at the end? Of course you remember it, even if only barely. It was, after all, the 5th highest grossing film of all time.

While there are several factors in play here — the price inflation of 3-D movies being one of them — I think audiences just like new spins on old familiar stories. There’s a reason why there’s a new Little Red Riding Hood movie coming out this year where the wolf is of the were-variety. Because … why the hell not? And, as stupidly “internet random” as it was, there’s a reason why readers embraced Pride & Prejudice & Zombies. It’s fun to mix things you associate with your younger years (classic lit and fairy tales) and mix it with stuff you enjoy today (stupid action movies). It’s the right mix of ironic cheesiness and unironic glee.

Writer Benny Powell (along with penciller Weilin Yang, finisher Youjin Yang, and colorist Kun Song) attempts the very same thing in Wayward Sons: Legends, and …. Wait, is that really the title? Wayward Sons? Oh no. Can’t get tune out of my head. This is bad….

Must… resist… Kansas references….

Phew, that’s over. Anyway, the comic starts off as a sci-fi type story, but eventually it transforms into another fractured fairy tale of the world’s most ancient legends. Which ones, you ask? Well, if you carry on to my review of Wayward Sons, maybe you’ll find peace when you are done.

…. gah!

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The Webcomic Overlook #141: Seedless

Let me take a moment, dear reader, to sing the praises of grape seeds. According to the Journal of Medicinal Food, grape seeds contain lipid, protein, carbohydrates, and Alton Brown’s favorite word: “polyphenols.” Grape seed extract contains a powerful antioxidant that protects the body from premature aging, disease, and decay. Extensive research shows that this is due to “its antioxidant effect to bond with collagen, promoting youthful skin, cell health, elasticity, and flexibility.”

Still, many people prefer seedless grapes over the regular kind. Let’s face it: grape seeds are inconvenient. No one likes to spit out grape seeds, after all, because it’s messy and an accidentally chewed grape seed is bitter, somewhat ruining the sweet, delicious flavor.

It turns out grapes don’t need seeds to reproduce. As long as you are not concerned about breeding, you can create new grape vines through cuttings. Commercial cultivators get seedless grapes from three sources, Thompson Seedless, Russian Seedless, and Black Monukka — which, let’s be frank, sounds like a supervillain name.

It’s comforting to know that I am not the only person who thinks about these things. The same thoughts seem to have crossed the sugar-fevered mind of Corey Lewis (or, as he likes to sign his comics, “Coreyyy Lewis”), who seems to have a hidden agenda against the polyphenol-rich goodness of grape seeds. For you see, in his anime-inspired webcomic Seedless, it is the ones with the grape seeds who are cast as supervillians and the seedless grapes who are the heroes.


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Superman Returns

Webcomics are good at a lot of things. Sometimes they provide humor that is often too nerdy or too obscure for the mainstream. Sometimes they give a page that little animated nugget that makes the characters leap off the page. Sometimes they provide that framework of community for fans to share their favorite moments or moan when a story goes off track.

But how about a webcomic that restores history?

A recent blog post on BW Media Spotlight alerted me to a project that had been competed around December 2008. Its mission: to restore the unpublished Superman #8.

What’s so great about Superman #8? First of all, it was made by the original creators: the story was written by Joe Siegel and illustrated by Joe Shuster and his studio. But, most importantly, it introduced something called “K-Metal” a weird mineral from Krypton that would rob Superman of his powers.

Sounds familiar? While it’s generally accepted that Kryptonite was created for the Superman radio show as a weakness, Siegel had hashed out the concept some time before. From superman.nu:

DC’s Editorial Director, Whitney Ellsworth, had read the K-Metal script and was intimately familiar with its contents. Ellsworth was also producer, script editor, and frequent ghost-writer of both the Superman Radio show and the later Adventures of Superman television series. It’s likely that 1940′s introduction of K-Metal was the inspiration not only for various incarnations of Kryptonite in various media (the Radio Show, the comics, and Smallville), but that the plot concept of Superman facing emotional and mental challenges—internally debating with himself about his role and his feelings—in the face of an approaching meteor from space that has unpredictible effects on him was also used in the 1953 George Reeves episode, Panic in the Sky and in the later 1994 Lois and Clark episode, All Shook Up. In The Deadly Rock, a follow-up episode to the original George Reeves Panic in the Sky episode, a fragment from the Kryptonite meteor has arrived on Earth and effects not only Superman, but his friend Gary Allen. When exposed to this fragment of Kryptonite, Mr. Allen is impervious to all harm and is invulnerable to gunfire. In the episode, no explanation is provided for why an earthman should be effected by Kryptonite in this manner.

The not-necesarily unrelated idea of an approaching meteor presenting a threat from Superman’s home planet was also obviously inspired by “The K-Metal from Krypton.” This idea was re-used in many comic books stories (most recently in Jeph Loeb’s introduction of the latest Supergirl) and served as the major plot element in the unproduced George Reeves movie, Superman and the Secret Planet. Planetoid-sized fragments of Krypton also played a role in the 2006 movie, Superman Returns, although the scenes were cut from the final release.

And there are other important Superman milestones, like the first time Perry White is named to the first time Supes discovered that he’s an alien.

So why was it never published? Well, it also includes Superman revealing himself as Clark Kent to Lois Lane, and that was probably one change too many for DC.

The restored Superman #8 (“The K-Metal from Krypton”) boasts art from Angel Criado, Shuster Studios, Jon Bogdanove, and Shane Foley. A post from a year-and-a-half ago shows that, while a bit incomplete (with 3 pages to go), this is probably the final draft: “The long and the short of it is that I think the project is as done as it’s going to get. I haven’t heard from any of the artists in quite a while, so I suspect that they’ve pretty much moved on.”

Still, it’s an incredibly worthy effort. The art’s a little modernized, especially in the areas of coloring and detail. Still, it’s got that Golden Age touch where designs are simpler and layouts favored tidy square panels with plenty of dialogue. It’s an interesting exercise, bringing one of Superman’s finest moments to life.