The Webcomic Overlook #198: The Secret Knots

Did you know that April is National Poetry Month? Unless you’re an English teacher, my guess is your answer would’ve been, “What’s poetry?” I, frankly, wouldn’t have known either if one of my co-workers didn’t sorta make it a thing over here by posting verses on a nearby board.

The poets.org site tells me that “National Poetry Month is now held every April, when publishers, booksellers, literary organizations, libraries, schools and poets around the country band together to celebrate poetry and its vital place in American culture.” There’s a Poem In Your Pocket Day coming up April 26, where you’re supposed to recite verses that you happen to have stored in your shirt pocket. (Good think I checked; I’ve got a week or so to raid my library of dirty limericks.) The site also suggests reading interviews and literary criticism. Now, this is the “Webcomic Overlook,” unfortunately, not the “Poetry Overlook,” so I don’t be tossing out my scathing opinions on Sylvia Plath.

And webcomics can’t be poetry … or … can they? After all, webcomics are visual, and, as poetry critic Jan Schrieber says, poetry is partly defined by sound: “To make that formula a little more explicit, we can say that a poem, being a creature of language, has meanings that are conveyed through linguistic means, and being also a creature of sound (which is not incidental as in prose but structural), has the potential to affect the hearer’s sensibility through auditory stimulus, including rhythmic patterning, the repetition or modulation of phones (speech sounds), and the strategic deployment of silence.”

If I were to dabble in the realm of evoking imagery through aesthetic language, then perhaps one place to start would be with Chilean comic creator Juan Santapau and his webcomic The Secret Knots.


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One Punch Reviews #55: The Trenches

I am something of a fan of stories about he software industry. It probably has something to do with taking the driest subject matter possible (programming) and turning it into a story that’s dramatic or epic. One of my favorite biographies is Masters of Doom, the story about the creators behind the revolutionary first person shooter, Doom. It starts off with hard times with the creators being forced the work around the clock in a dank room and ends with a truly remarkable fortunes for its two principle characters: John Carmack went on to become so rich that he amassed enough money to build his own space ship, while John Romero had a momumental rise and fall, going from the rockstar to the laughingstock of the video game industry.

And you can bet that I am totally on board with seeing Man On A Mission, the documentary about Ultima creator and longtime cosplayer Richard “Lord British” Garriott, who also amassed so much money he eventually fulfilled his childhood dreams of becoming an astronaut.

The creators of The Trenches, Scott Kurtz, Mike Krahulik, and Jerry Holkins, also achieved some pretty amazing — albeit less galactic — milestones. Between them, they’ve established one the premiere game expo franchises in the world, emceed the Harvey Awards, were named as Time’s most influential people, and are regarded as the founding fathers of webcomics. Still, I don’t expect this partially autobiographical webcomic about life in the software development industry to arrive at something quite so mind-shattering.

Maybe if one of those lazy bums should get off their butts and build an actual space ship, huh?

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One Punch Reviews #44: So… You’re A Cartoonist? (Second Opinion)

(I’m still on hiatus! However, David Herbert was kind enough to do a review while I’m away. In this review, he tackles previously reviewed webcomic So… You’re A Cartoonist? with a different take than mine. It’s time to get hit up with … a second opinion.)

When I first got into webcomics, I tended to gravitate towards comics that were somewhat based in the author’s real life. So when I found this comic by Tom Preston, or Andrew Dobson, it seemed like something that would interest me, not just because I like diary comics, but also because this is about being someone who makes comics and their own tales of doing what they love.

Basically it’s my comic, Living with Insanity, except the writer can draw and it doesn’t devolve into insane nonsense.

However, one of the first things you’ll notice is that the title doesn’t really work until nearly 18 pages in, where being a cartoonist becomes the main focus. Up until then, it’s about being bullied as a kid, watching shows with his girlfriend and stuff his roommate did in college.


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The Webcomic Overlook #174: Original Life

It’s been said that the opposite of love is not hate, but apathy. After reviewing some 200-plus webcomics, it’s a statement I’m inclined to agree with. I know instantly when something merits a lower rating: you feel rage utterly and ultimately consuming you. Love and hate both have passion on their side. Apathy is by definition the lack of passion.

This is why I love to watch terrible movies like the ones they used to show on MST3K, but fidget uncontrollably through recent middling fare like Green Lantern. Part of the fun is catching yourself when the movie really gets to you, where you just want to launch out of your seat with an incredulous, “Oh, come on!” It’s the same philosophy that separates one star reviews from three star reviews on this site. One star webcomics fill me with so much rage that I want to get my fiery hot vengeance on the comic as swiftly as possible. Thee star webcomics leave me feeling listless and blase. There is no urgency.

Jay Naylor’s Original Life is, to its credit, less laughably terrible than its predecessor, Better Days (reviewed here). There is, for example, nothing as mindbogglingly wrong as the twincest scene.

It also means, though, that there’s very little here to make me want to give a crap. The webcomic still manages to irk me from time to time, and much of that has to do with Naylor’s political stance. I try never to turn these reviews into a political discussion, since that’s hardly ever productive to a site that claims, ironically, that “webcomic reviews are serious business.” However, I fear that this time it will be unavoidable. Apologies in advance for any libertarian toes I step on.

By the way, while this review is likely going to be safe for work, I should warn you that last time I clicked on to Original Life, the banner consisted of furry asses in bikini bottoms. Also there are multiple links to Naylor’s porn projects. Soooo… proceed at your discretion.

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The Webcomic Overlook #167: Yehuda Moon And The Kickstand Cyclery

Winter ended two months ago. In Seattle, that means that it rains less than it normally does. (Like, six days a week instead of seven.) Around the time between spring and fall, I get a little eco-conscious, take my bike out of the corner of the garage, and try to bike to work for at least three out of the five work days. I was riding an old Diamondback earlier this year, one that I’d modified for road use.

On my way to work one day, I had to stop at a red light where I had to turn left. Trying to show some courtesy to the cars behind me, I pulled off to the side of the road to let them pass, after which I would follow from behind. Wouldn’t you know it, as soon as I’d pulled off to the side of the road, the guy driving the car behind me pulled right next, honked the horn angrily, and then flipped the bird before peeling off.

Now, if you’ve ever ridding a bike on city streets, I’m sure that, at this point, you’re nodding your head and commiserating.

There is no love lost between cyclists and auto drivers here in the fair city of Seattle. Mayor McGinn in an active advocate of biking, and it’s been causing friction on all sides. A recent hiring for a bike advocacy position caused a huge stir in the media. A recent piece in the Seattle PI on replacing storm grates hazardous to cyclists drew several angry comments that the money could have been put to better use if the Mayor wasn’t such a … if you pardon the expression … such a cyclist.

And then there’s the democratic response. There are plenty of blogs out there that defend the pro-cycling position. What you might not know is there’s a cycling webcomic out there, too. Today, I’m reviewing Rick Smith’s “slice of cycling life” webcomic, Yehuda Moon and the Kickstand Cyclery.

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One Punch Reviews #44: So… You’re A Cartoonist?

Have you every run into a bitter person who will talk your ear off about all their problems whether or not you actually want to listen? Will that person rant and rant and rant, and at some point say that they’re speaking their minds, and if no one speak up, then who will? But really, everything they’re complaining about is trivial? And that person is really just goddamn annoying?

Put it in webcomic form, and you get Andrew Dobson’s So … You’re a Cartoonist? This comic, by the way, was introduced me by a message board thread devoted to making fun of Ctrl+Alt+Del, who were bowled over by its horribleness despite being amongst the most jaded webcomic readers on the internet.

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One Punch Reviews #42: Dream Life

Dreams are a fascinating theme for a writer to tackle. It gives carte blanche to play with surreal imagery, such as, oh, a Duchess who plays croquet using a flamingo and a hedgehog or a huge cityscape falling in on itself. It lets you explore the realm of your mind that you should control, but for some reason slips beyond your grasp. Our dreams represent a highly personal and private experience, so it’s embarrassing enough when we let slip the events going on in our slumber. How do you react when someone’s peeking in on your most unguarded moments?

This fragile mental ecosystem that you enter when you close your eyes at night is one of the major themes of Dream Life: A Late Coming of Age, a webcomic written by comic artist Salgood Sam (a.k.a. Max Douglas, but in reverse). It’s also about mystery, the crises we go through as we age… and Charlie Brown, surprisingly.


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