Category Archives: Random Quickies
Darkseid: the Satan of the DC Universe. Dr. Doom: Marvel’s most recognizable villain. Thanos: … the guy that was in the post-credits sequence of the Avengers movie. No, not the shawarma scene. The… the other one. When these three villains are together in one place, you can expect… discussion about Breaking Bad. And The Wire. Basically, just three dudes hanging out in a car, passing the time. That’s how Justin Jordan and Rafer Roberts envision it in Thanos & Darkseid: Carpool Buddies of Doom.
I used to draw a comic when I was younger. It was called “Ninja Bears,” a pretty transparent reinterpretation of the Teenage Mutant Ninja Turtles. If, for any reason, one of those pages ever turned up again I would shriek in terror and then shred the paper maniacally.
John White (a professional illustrator) is far more game. He recently unearthed his comic adaptation that he worked on when he was between 9 and 14 years old. Rather than destroying his primitive efforts in a fit of embarrassment, he released everything online as Star Wars: Age 9.
Now, is this comic readable? Technically, yes. It’s actually impressive to see what a kid can accomplish with little formal training. (Though, to be fair, White does admit that a lot of his panels were copied straight from Howard Chaykin’s Marvel Comics adaptation.). At the end of the day, though, it’s still a comic written by a kid, and that’s hardly ever appointment reading.
The real fun is in the annotations. From rediscovering where he picked up certain lines that weren’t originally in the movies to cheeky observations on his own art, Star Wars: Age 9 is just as much a written record of the fandom and their wild, impressionable imaginations as it originally took hold in 1977. The tone is nostalgic and wistful, with a touch of bemusement and a whole lot of images of vintage collectibles.
The webcomic includes all new illustrated panels drawn by an older John White… But sadly, these pale to the originals. After all, can these new panels claim the bold artistic decision to incorporate a collectible bubble gum card? I think not.
Nintendo video game mascot Mario Mario is no stranger to webcomics. Thanks to the crazy video game webcomic boom that gave the world the PAX video game convention, Mario has probably appeared in more webcomics than video games. Shoot, there’s probably a webcomic out there referencing Mario being created as we speak. However, there’s one aspect of the Mario universe that doesn’t get touched upon that often. You know, the one where King Koopa was evolved from dinosaurs and played by a greasy Dennis Hopper? The one where Mario and Luigi were trying to liberate a dystopian cyberpunk alternate dimension, clearly an aspect of the Mario universe that needs to be expanded upon and explored?
Why do webcomic creators always seem to cruelly ignore Mario and Luigi from the 1993 Super Mario Brothers movie?
Steven Applebaum and Ryan Hoss must be some sort of genies, because they’re making all your dreams come true with Super Mario Bros. 2: The Comic. SMB2: The Comic answers the question that has, for 20 years, been lingering on all our minds after the tantalizing sequel bait at the end of the movie: what happens to the Mario brothers after Princess Daisy returns from an alternate dimension, armed to the gills like some 90′s Image Comics superhero? This ain’t no
video game run of the mill fanfic, people, as it’s mentioned that the story ideas come straight from one of the ten screenwriters from the movie. So it’s at least … one-tenthed canon, maybe?
Anyway, it involves going to another dimension which is probably the same world as the one from SMB2: the video game. And like the game, odds are Mario is going to wake up from a particularly vivid fever dream where someone, somewhere, made a webcomic sequel to the Super Mario Brothers movie.
(h/T AV Club)
I’ve mentioned this webcomic before, but it seems high time to revisit this gem again. Tyler Rhodes’ Castle Vidcons was around during the previous generation’s console wars. The Wii, PS3, and Xbox 360 were depicted as rival kings doing battle in a sepia-tinged medieval landscape. Now that E3 has come and gone, the knives are out again this year. Xbox One and PS4 are cruel new usurpers, parroting the fears, anxieties and loyalties all over the Twitterverse and the Tumblrverse. Given how hyperbolic and pitched the fight has gotten already, Castle Vidcons is the only way to watch this epic struggle between warrior kings with consoles for heads unfold.
Gather ’round children, and let me tell you a tale of webcomics past. Webcomics of yore! You see, there used to be a time when young men and women made webcomics based on unlikely prompts. Spam email! Palindromes! Ah, but the world is a more sophisticated place now, with no time for such primitive..,.
What’s that you say? There’s a Twitter: The Comic?
Yessiree, my friends, Mike Rosenthal (or, as he’s known on Twitter, “@vectorbelly“) has been moderating a posse of webcomic artists on Tumblr to create comics based on Tweets. They’re often quite funny. It helps that most of the Tweets selected tell a sort of minifiction in under 140 characters. Do you know anyone who actually tweets:
WELCOME TO APPLEBEES MAY I TAKE YOUR ORDER. DID U SAY “A PLATE OF SPIDERS” TOO LATE HERE IT COMES. U HAVE TO EAT IT ALL OR WE CALL THE COPS
Me neither. But apparently it got 1,000 retweets… and this rad webcomic.
Daniel Lieske’s The Wormworld Saga is probably going to get a proper review sometime in the future. But man, I just wanted to bring it up because it’s probably the best looking webcomic I’ve seen to use the infinite canvas in quite some time. It’s fairly simple: it’s just an up and down thing. However, panels blend seamlessly to the next as you keep scrolling downwards. The story itself is sort of a modern day Alice In Wonderland, and the visuals get more and more incredible the further you get into the story. Though, truth be told, I was already plenty impressed by the rendition of a red Volkswagen in the very first chapter.
I’m going to assume that, at some point in Chris McQuaid’s Celtic Shaman, we’re going to learn that a portal to the Forgotten Realms must have opened in Canada. There’s mystical creatures everywhere. The hero, a rugged loner named Mannix, punches his way through several of these creatures as he tours the country’s backroads: a sea monster in New Brunswick, succubi in Quebec, and an ogre dressed up as a mall Santa in Mississauga, Ontario. Fortunately, Mannix is a man blessed with magic powers, fists of steel, and a sexy genie named Dru at his side. It’s a light-hearted and breezy comic where shamanism is grumblingly referred to as “spiritual pest control.”