Category Archives: One Punch Reviews
Welcome, boys and ghouls, to another frighteningly fun edition of the Deadcomic Overlook … um, Hotel! Ha ha ha ha ha! This is your ever fiendish host, El Satan, bringing you another chilling review of …
Is it November already?
Well, pilgrim, get ready to feast on another review. This time we’ll be looking at a little giblet of a comic called Girls of Monster Paradise by Stephanie Gladden. Will this webcomic leave you feeling thankful, or will it be turkey terrible?
There are generic sounding webcomic titles, and there are generic sounding webcomic titles. There’s one variety that follows the Perry Bible Fellowship nomenclature and just tosses some random sounding words together. And then there are the ones that look like they’ll never show up on any online search engine whatsoever. Such is the chase of Internet Webcomic by Mary Tanner, which, against all odds, is somehow the first result to pop up on Google when “internet webcomic” is typed in the search field. Seriously, I expected this to be buried on page 3 or so.
Some weeks ago, I solicited the readers for links to their comics or recommendations to webcomic that they liked. There were plenty of fantastic entries, some which I mentally bookmarked to slot for a review some time down the line. This is the first one, recommended by reader
Why Piti Yindee’s Wuffle: The Big Nice Wolf? The reason is perhaps quite shallow: it was really, really pretty. I mean, the header shows a big yet cute cartoon wolf with a white volleyball under his arm that turns out to be a chicken. Look, people, there’s no big secret to getting me to pay attention: I’m like a moth to flame when it comes to cute things.
The Eisner nominees for Best Digital Comic often include some absolutely bizarre entries that look like they were done under some sort of chemical influence. I think Dash Shaw’s Bodyworld may have been one of them, but the geometry-based digressions, while challenging from the standpoint of linear storytelling, were so lucid it makes me doubt my assessment. Still, the webcomic itself was about smoking drugs, so I think it fits in some way. The thing about these sorts of comics is that the writer can wave away inconsistencies, plot holes, and artistic decisions under the catch-all excuse of “Just not getting it.” Which isn’t entirely untrue. But still!
Here’s what you need to know about Michael DeForge’s Ant Comic: the first sequence shows a depiction of two homosexual ants having sex. The second shows some ants marching into a giant ant vagina.
I was tempted to put up an NSFW tag, but I think most curious co-workers looking over your shoulder would have an impossible time figuring out what was going on. Still, probably not something you’d want to recommend for your kids.
I remember it vividly as if it were yesterday. The skies were clear this morning, but the temperatures were below zero. I had a scarf wrapped around my mouth and nose because it almost felt like ice crystals were forming. I was walking from my the parking lot to the building I work at. It was about a quarter mile walk since city restrictions prevented a parking garage from being built, so the company compensated by making the parking lot very, very large.
Fortunately the walkway was covered. However, as I walked down the path, I noticed something weird. There were lumps on the ground covered in frost. At first, I thought they were leaves. As I looked a little closer though, I discovered to my horror that they were birds. About a hundred birds, all littering the ground, dead and frosted. They’d taken shelter under the roof in an attempt to escape the cold snap. It was in vain. The frost had killed them.
Ryan Andrews, the writer of the Eisner-nominated Our Bloodstained Roof, taps into the same chilling realization that death is senseless, and how guilt has an unforgiving way of making our lives miserable for the rest of our lives.
There’s an old Cat and Girl comic that claims that hipsters don’t exist. “Everyone’s seen a hipster, but nobody is one,” snaps the girl. This idea was reiterated by a co-worker of mine, who insisted, every day, that there was no such thing as hipsters. They may as well have been ghosts or Santa Clauses or whatever. A mere figment of the imagination.
So… who were all these people I saw wearing trucker caps and Buddy Holly glasses, then? Was I … dreaming? When my brother calls himself a “hipster,” is he lying through his teeth? Maybe hipsters only appear if you say their name three times? No, wait… that’s Beetlejuice. Who, when you think about it, was sort of a hipster ghost.
These theoretical beings of light and illusion take center stage in the aptly titled webcomic Hipsters, by Adrian vom Baur. We follow these hipsters in their natural habitat of snark and loathing and … dinosaurs, apparently.
Where did all the Zuda Comics go? DC’s experiment in the world of digital comics was a little short-lived but it generated plenty of concepts due to its elimination-style format, where several creators would put out eight-page sample at a chance for landing a contract with DC Comics. Short answer: they were scattered to the winds of the internet, appearing in secluded far reaching corners. It’s a shame, because there were some great story ideas out there with some great-looking art. There was an image of a steely-eyed young man in a prep school uniform that caught my curiosity recently, for example, and I owed it to myself to follow up.
Model Student, by Jake Bell and Joe Bowen, was a Zuda entry in 2009 that didn’t make the final cut. Joe Bowen, though, couldn’t quite let go of the concept so he returned to the story last year.
The main character is Kevin Thorne. He’s a high school student who’s had problems keeping his rage under control. He’s been kicked out of many schools for fighting. One more strike, and he’s headed to Juvie. His last chance is Vendrell Academy, a stately-looking prep school where the students wear ties and fashionable blazers.
The most eye-catching aspect of Nine Planets Without Intelligent Life was its excellent use of the infinite canvas. The technique is often touted as the future of comics. It was well executed and tied thematically to a story about two robots traveling in the solitude of the solar system.
For the follow-up, author Kit Roebuck goes with something more traditional. The webcomic Opplopolis, which is really tough to find on Google due to its tongue-twisty name, feels very old-school. The panels are laid out like a traditional comic book page. The colors are solid and not very flashy. Character designs are retro, but from eras that are difficult to pinpoint with precision.
In fact, Opplopolis feels very much like a Vertigo comic published in the early 1990′s. Specifically, Grant Morrison’s The Invisibles… only not nearly as weirdly metaphysical. And that’s a good thing.