
When I put together a list of the webcomics I’d planned on reviewing for February, I had no idea that two of them had something in common. It wasn’t apparent immediately. One was about a haunted house, the other was about a shaolin monk living at the end of the Ming Dynasty. However, when scanning the press releases, I came to a surprising discovery: both were awarded a Xeric grant. It’s wacky ka-winky-dinks like this that lead to this site’s impromptu theme weeks/months (see also: Zombie Week). Thus, by the power vested in me, The Webcomic Overlook hereby declare this week to be Xeric Week! Cue fireworks!

But wait, what is a Xeric grant? And what is this so called “Xeric Foundation” that’s running it? Judging by the name alone, shouldn’t they be bad guys in a Marvel comic, sworn enemies of the Starjammers and the Shi’ar Empire? No, actually they’re a charitable organization, founded by Peter Laird (who you should know was one of the guys behind a little thing known as the Teenage Mutant Ninja Turtles). While involved in several charitable organizations, the Xeric Foundation is best known for donating money to support independent comic book artists. I’ve talked about them before on this blog, mainly in my review of Joe Chiapetta’s Silly Daddy. (Silly Daddy itself is not itself a Xeric winner, but Chiapetta is a grant winner for a previous work, A Death in the Family.)
According to Wikipedia, “The Foundation tends to support work of an alternative or non-’mainstream’ nature, reasoning that if a comic has strong commercial appeal, it would be picked up by one of the major publishers. Therefore, it is an extremely valuable supporter of ‘art for art’s sake’ comics, and has helped launch the careers of a number of ‘literary’ cartoonists.” In other words, indie comics. The kind with unsettling art and embarrassing personal confessions. This criteria isn’t explicitly stated on the official Xeric site; they only say that “Among the qualities that we will be looking for are: originality, literary and artistic merit, and a sense of commitment to the work.” However, a glance through the supremely unconventional Silly Daddy will have you convinced that the Wikipedia description is right on the money.
Or are they? Your honor, I would like to present to you Joshua Smeaton’s Haunted, one of the 5 grant winners in May 2009. The most surprising thing about this indie comic is that Haunted looks — both in terms of aesthetics and content — like it’s got the chops to win mainstream approval.

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