Category Archives: comedy webcomic
I have a startling confession to make: I’m a pretty big fan of the probably cancelled NBC series Siberia. (I was also a fan of The Cape, so maybe I’m just attracted to failure.) Siberia starts off by fooling viewers into thinking that they’re watching a reality show. Contestants are dropped off via helicopter into the forbidding wilderness of northern Russia. Like all reality shows, they start things off with a silly challenge. Race to the cabins! The last two get eliminated! The trappings are familiar to anyone who’s watched TV in the last decade. There’s filmed confessionals to flesh out character personalities, alliances being formed, and mugging for the unseen cameramen.
Show’s true format and statement of intent reveals itself by the end of the first episode, though. One of the contestants is presumed dead. Brutally mutilated. It slowly dawns on the characters (and the viewers) that nothing on the show is as it seems. Slowly but surely, the safety net disappears. The characters arrived in Siberia with the assumption that, no matter what goes wrong, there’s a support team hiding just out of view to deal with the really serious stuff. Like food rations, medical care, or keeping away dangerous animals or people. Scary moments are initially brushed off as just being part of the show. The real horror creeps in when the characters suddenly realize that nobody is in control, and they are all at the mercy of whatever dark, unspoken mysteries lurk just beyond the campgrounds.
The same sense of primal eeriness permeates Katie Rice’s difficult to spell webcomic Camp Weedonwantcha. (“Weedonwantcha” is a play on words: it’s both a parody of camps that takes on Native American names and what Avengers director Joss Whedon says when he wants to pick up chicks.) The encroaching sense of desperation isn’t at the forefront, though. This is primarily a humorous comic about kids having adventures at camp. One that they seem to be unable to leave. And not because the crafts classes are super fun.
Since we all grew up in the 90′s, all of us will probably… wait. Some of you weren’t around in the 90′s?
Well, feel free to sit this one out, then. I’ll have something more universal later this week. The ones who were around in the 90′s can stick around after the ellipsis.
OK since we all grew up in the 90′s, all of us will probably remember the Jim Lee/Chris Claremont version of the X-Men. It was the costumes and roster prominently featured in the cartoon, and one of the most unlikely sources of 90′s nostalgia. Max Wittert certainly remembers, and he illustrates the domestic troubles of Jean Grey and Scott Summers on his Tumblr-based webcomic Jean & Scott. Cyclops is uptight, which is pretty consistent with his established portrayal. Jean Grey, though, has been driven to terminal laziness due to the convenience of her powers. THRILL as Jean Grey struggles to hold her cream soda! CHILL as Cyclops wonders aloud why Jean has to use Cerebro and not a cellphone like most normal couples! I cannot wait for the episode when Jean finally meets Scott’s space-pirate dad.
You’ve got to hand it to Andrew Hussie. They guy seems to go out of his way to be as alienating as possible. Just when it seems like the story’s gaining traction, he’s all, “Nuts to that sh*t. Time to roll with something that makes even less sense.” When MS Paint Adventures: Homestuck started, it bore a lot of similarities with its predecessor, Problem Sleuth, as a parody of an adventure game, complete with confusing inventory systems and glitchy controls. But then, all of the sudden, it became this complex world-building mythology, with multiple planets and a core system of light and darkness anchored by two planets with two moons.
And then Act 5 rolls around. Hussie introduces a bunch of abrasive new characters with orange horns that were so myriad that they seemed impossible to track. Oh yeah, and they’ve got their own alternative world and a complicated system of romance. Clearly, Hussie has disappeared straight up his own butt, right? Well, that maybe so… but the gamble paid off, and Homestuck became more popular than it ever had been before. At least with the costume stores supplying gray facepaint to all the troll cosplayers out there.
When we get to Act 6, then, the question isn’t, “So, what’s Hussie going to do to answer all these puzzles and mysteries?” It becomes more, “What sort of ridiculous bull is Hussie going to make up just to needlessly confuse and deliberately obfuscate the story even further?”
There are drawbacks to being this experimental, though. At some point, the mythology can get too top heavy, and the characters the readers learned to love over the course of the story get lost in the shuffle. Hey, Losties: remember Lost, Season 6? The experimental one that discarded the format, explored all new characters with a sideway universe where the cast had different adventures because they were living in a parallel world?
Ladies and gentlemen: how do we know we’re in the future? Is it when we get flying cars? Is it when we can replace our arms with cyborg parts? If comic pundits will have you believe, it’s when webcomics realize their full potential and embrace the infinite canvas. No more being restrained to the rigid static confines of a piece of paper, developed hundreds of years ago! Why live within those archaic limitations? We’re living in the future, son!
And just like how flying cars and prosthetic limbs exist in real life, so too are there examples of these futuristic comics. Some do nothing more than scroll in one direction for a long time. Others contain significantly more bells and whistles by incorporating sound and simple animation.
A relatively recent effort is Stevan Živadinović’s Hobo Lobo of Hamelin. And by “relatively recent,” I mean that it began in 2011 and was updated as recently as September 2013. I actually mentioned this comic when it first came out and had hoped to review it when more became available. It looks like not much progress has been made in the intervening two-and-a-half years, though. Note to pundits who still lean on the “motion comic” approach to webcomics: if you’re doing one by your lonesome, they’re a massive time sink.
I have a set of unspoken rules about this site. One is don’t write reviews of outright porn so this site doesn’t get flagged as an adult site. (Also, it’s kinda hard to criticize what people get off on. I mean, who am I to judge, really?) The second is to never write a review of webcomics that I would give the mythical zero stars, i.e. comics I hate so much that I would never want to give any extra publicity ever.
The third rule: don’t write a review about Penny Arcade. I have so many reasons why I don’t want to do it. So many reasons. First and foremost, I tend to review an entire run of a comic. Sure, there are exceptions (and I’m making one now). But what kind of value is there to go back and look at a comic that once looked like the worst sub-1000 pageview garbage ever accidentally discovered on Drunk Duck?
Secondly, it’s a video game webcomic that manages to stay current. People, if you’ve read as many video game webcomics as I have, you start to notice that they are 50% about Mario, 30% about Link, 20% about Final Fantasy, 10% about Street Fighter, 5% about Sonic, and 5% about rape for some reason. No joking, people, the math checks out! The downside: it makes it had to get the references because, while I do play video games, I sorta also don’t have time to spend more than three hours a month perched in front of my XBox. So most of the references would likely go over my head.
And third: what hasn’t been said about Penny Arcade that hasn’t been said a hundred times already? There are sites everywhere dedicated to the damn thing. Seriously, do you need the opinion of an anonymous webcomic reviewer in a luchador mask telling you whether or not you should read what’s probably the most successful webcomic of all time?
And yet, here we are with a review of Penny Arcade from the last year. I know, right? So what ultimately changed my mind about the damn comic? Long story short… this ridiculous strip:
Welcome, boys and ghouls, to another frighteningly fun edition of the Deadcomic Overlook … um, Hotel! Ha ha ha ha ha! This is your ever fiendish host, El Satan, bringing you another chilling review of …
Is it November already?
Well, pilgrim, get ready to feast on another review. This time we’ll be looking at a little giblet of a comic called Girls of Monster Paradise by Stephanie Gladden. Will this webcomic leave you feeling thankful, or will it be turkey terrible?
I think Homestuck is seeping into the most treasured crevasses of my brain. I had a generally busy October, which prevented me from updating this site too much. And while I can be a typical LiveJournal parody about how real life got in the way, and how I’m totally going to update and blah blah blah blah blah, but I won’t. I’m a bigger man than that.
I’m going to blame Homestuck.
Darius3 made a humorous comment that clearly Homestuck was the reason for lack of updates, and honesty… it’s not that far off. Not the way that you think, though. For one, typically I can catch up on webcomics by, say, pulling up my iPad or iPhone and reading on my free time. Homestuck is so heavily reliant on Flash that I pretty much have to wait until I get home… and honestly, that’s where I have the least amount of free time. Second, it’s very much a time investment. Someone mentioned it’s longer than the Bible, which I will not doubt for a second. However, reading Homestuck means not reading other webcomics, which, in turn has caused this here webcomic review site to lie barren and fallow.
As a result, I have resolved to take a short break from Homestuck and browse around the other fine webcomics available for perusal. Time for something COMPLETELY DIFFERENT! One that caught my eye on a purely aesthetic level was submitted for my “Shilled” drive and still has a link on the right sidebar. It’s a little thing called Olympus Overdrive. Created by Oskar Vega, it stars a guy … with the horns … and discolored skin….
There are generic sounding webcomic titles, and there are generic sounding webcomic titles. There’s one variety that follows the Perry Bible Fellowship nomenclature and just tosses some random sounding words together. And then there are the ones that look like they’ll never show up on any online search engine whatsoever. Such is the chase of Internet Webcomic by Mary Tanner, which, against all odds, is somehow the first result to pop up on Google when “internet webcomic” is typed in the search field. Seriously, I expected this to be buried on page 3 or so.