Category Archives: all ages webcomic
Fantasy is rooted a little bit in actual history. Most of the time, this means the European Middle Ages. Knights in shining armor, kings and queens, towering castles, and legends of dragons and elves. King Arthur stuff. However, there are tons of challenges in setting things at a certain era. As fantasy writer Poul Anderson once elaborated in his essay “On Thud and Blunder,” “Beneath the magic, derring-do, and other glamour, an imaginary world has to work right. In particular, a pre-industrial society, which is what virtually all hf uses for a setting, differs from ours today in countless ways.”
One of the things that writers often do is just ignore the historical nuisances. Don’t worry about people’s hair not looking perfect; just assume that everyone has access to soap, mirrors, and plumbing. Pay no attention that there are no city lights; our heroes can travel by night just as easily as by day. One of the biggest historical running blocks are the roles of women. Joan of Arc aside, women in the Middle Ages were typically not trained to be warriors. It was dudes. But, since in these days it’s not in the writer’s or the reader’s best interest that the adventurers be one big sausage party, fantasy authors tend to either ignore or minimize male chauvinism. Lady warriors just show up dressed in trousers made for men, and the townspeople rarely bat an eye.
The limited opportunities for women, though, is the driving narrative in Ed Cho and Lee Cherolis’ Little Guardians. The story centers around two characters: Subira, an unassuming shopkeeper’s daughter who has great potential, and Idem, an unlucky boy who’s training to be the next Guardian.
Welcome, boys and ghouls, to another frighteningly fun edition of the Deadcomic Overlook … um, Hotel! Ha ha ha ha ha! This is your ever fiendish host, El Satan, bringing you another chilling review of …
Is it November already?
Well, pilgrim, get ready to feast on another review. This time we’ll be looking at a little giblet of a comic called Girls of Monster Paradise by Stephanie Gladden. Will this webcomic leave you feeling thankful, or will it be turkey terrible?
Out of the Eisner-nominated titles, Ben Towle’s Oyster War is probably the one we’d most conventionally associate with the term “webcomic.” By that, I mostly mean the layout. This Will All Hurt is a metaphysical zombie comic where all the pages of the chapter are laid out vertically. Bandette is available as a digital comic on Comixology, the preferred format for the big piracy-averse publishers and arguably not really a webomic. Our Bloodstained Roof is a short story (most webcomics have runs longer than four installments), and Ant Comic is a bizarre little creature that looks like it would be more at home in the pages of an alternative magazine.
Oyster War, on the other hand, is a webcomic webcomic. Handy navigational buttons at the bottom of the page, familiar layout with a snazzy title header and sidebars, and a sensible pace of one page per post. It’s about as standard-looking as you can get on the no-frills WordPress format. There’s benefits to trying something new — in fact, it could be argued that because they’re more experimental, that they’re more deserving of award attention.
Oyster War shouldn’t dismissed, though. Mainly because it seems to have earned Eisner consideration on the merits of it being good.
Some weeks ago, I solicited the readers for links to their comics or recommendations to webcomic that they liked. There were plenty of fantastic entries, some which I mentally bookmarked to slot for a review some time down the line. This is the first one, recommended by reader
Why Piti Yindee’s Wuffle: The Big Nice Wolf? The reason is perhaps quite shallow: it was really, really pretty. I mean, the header shows a big yet cute cartoon wolf with a white volleyball under his arm that turns out to be a chicken. Look, people, there’s no big secret to getting me to pay attention: I’m like a moth to flame when it comes to cute things.
After man first set foot on the moon, young kids dreamed of voyaging to other planets. After all, if human beings can put their footprints on soil not of this earth, how hard can it be to, say, go to Mars? As it turns out… very hard. Universe Today estimates that the journey would take 250 days. And that’s the nearest planet. How long is it going to take to get to the moons of Jupiter? To the rings of Saturn? Heck, are we even going to get out of the solar system?
So we resign ourselves to the fate that most deep space exploration is going to have to be conducted by robots and computers. Like Voyager 2 and it’s ground breaking tour through the outer planets. Or Mars rover Curiosity, journeying the red planet to unearth new scientific discoveries. Is it as thrilling as Neil Armstrong hopping off a lunar lander? Maybe not. At the same time, I’d be lying if I said I didn’t feel a pang of empathy when the Spirit rover got stuck in sand. Sure, it was just a piece of machinery. And yet, it had sort of anthropomorphized into a poor little explorer stuck on a weird alien world.
James Anderson’s Ellie on Planet X is the story of one such space probe. this one, though, is a whole lot more adorable than anything assembled by NASA. Well, maybe except for Sojourner. That one was pretty darned cute.
This is the part of The Webcomic Overlook where I reminisce nostalgically like an old man. My grandpa had World War II, my dad had his childhood in the Philippines. Me? I have video games.
I remember, way back when, as a bright eyed kid playing in the arcade. I remember playing Pac-Man. I remember playing Space Invaders. And I remember especially playing Frogger, which was the only cartidge I ever owned to play on our Atari 2600. I remember trekking Toys ‘R Us just so I could buy a Ninendo so I could play Super Mario Bros. (That Nintendo was later stolen by burglars who broke into out house in Detroit, but that’s another story.)
I even have fond memories of the Saturday Supercade. That was the Saturday morning cartoon series that featured the animated adventures of Space Ace, Donkey Kong, Donkey Kong Jr., and Frogger. For some reason, though, I can only sorta remember the Q*Bert segments, which, at the time, I though were so very wrong because Q*Bert talked. I also remember the Pac-Man series, back in the day when Atari was still trying to convince us that the dude was had retro Mickey Mouse eyes and a hat.
What I’m trying to say is … I been playing video games for a long, long time.
And I have never heard of friggin’ Bravoman.
Ladies and gentlemen, I have some very sad news: I’m cancelling Mars Week. I knw you were looking forward to the parades with a giant Marvin the Martian balloons, a public reading of Ray Bradbury’s The Martian Chronicles, the contest to think up with a better Martian rover name than “Curiosity,” and free Mars Bars for the kids.
But I only have myself to blame, really. Earlier this week, I thought to myself: “Self, why don’t you finally review that other Mars-themed comic? Uh, what was it called? Red’s Planet?” It was a full-proof plan… until I reached the end of Red’s Planet and realized it had nothing to do with THE Red Planet. Fortunately, though, I have no regrets reading Eddie Pittman’s Red’s Planet. I’ll come right out and say it: it’s the most delightful webcomic you’ll ever read about Mars that will turn out to be not about that at all.
Do you like seeing the DC Comics’ heroes as little kids? Sure, who doesn’t? There was even a whole episode of Justice League Unlimited devoted to that very concept. Well, cartoonist Yale Stewart goes head-on with the Justice League meets The Muppet Babies concept in his too-cute-for-words webcomic Little League. It’s the DC comic universe de-aged and seen mainly through the eyes of the World’s Finest Tykes: Li’l Bats and Li’l Supes. Together, they must engage in epic battles with villains like Lex Luthor (leader of the big kids), deal with mandated costume changes, and play the deadliest game of them all — dodgeball.