The Webcomic Overlook #187: Clandestinauts

It sometimes astounds me how many posts I’ve devoted to webcomics. It’s, like, more than “a lot” and just short of “a buttload.” The peril, at this point, is that sometimes you run the risk of saying the exact same thing about one webcomic that you said about another webcomic. Repeating myself is perhaps my second greatest fear in the world.

The first is my mom’s dog, Cinnamon.

Curse that Japanese Chin his sharp, pointy fangs. Why am I the only person he ever seems to bite?

So when I sat down to write about Tim Sievert’s Clandestinauts (a webcomic that I chose to read primarily because I am a big fan of the world “clandestine” — seriously, when I was a kid, I even created a superhero with that name), I was set to write, “Well, as much as I like the art, I wasn’t too big a fan of the story.” Then I thought to myself, “Wait. Didn’t I write that once? Like, at least five times before?”

If I had the time or inclination, I could probably track down all instances I expressed the exact same sentiment. I’m pretty sure I said the same thing about, say, What Birds Know. But life is short, and plan on spending my free time owning noobs on iPad/iPhone game Valor later, so let’s just say that I’ve said it a lot.


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The Webcomic Overlook #186: The Night Owls

“But wait, El Santo,” you say. “Aren’t you taking a break?”

I know. I’ve got to admit something to you: I’m terrible at this whole taking a break thing. And the worst part of it is… I’m breaking hiatus for something that is not, technically, a webcomic.

Twins Peter and Bobby Timony’s The Night Owls is, in fact, closer to being on the digital comic side of the scale than on the webcomic side. It could have been considered a webcomic when Zuda was around. But then Zuda died, a good number of my Zuda-only webcomic blogger compatriots disappeared, and the remaining Zuda issues have been banished to the nether realms of Comixology.

If you want to read The Night Owls anymore, you must download it for $0.99 an issue … though the first issue is free. The Night Owls has since ended, capping off at 9 issues, so a full run of The Night Owls is going to cost you $8 (and a bit more more if you’re going to spring for the print version on Amazon).

I suppose a site called “The Webcomic Overlook” should probably let this one go… but then who would review it? From my experience, most sites reviewing digital comics are focusing on much the same things as their print comic sites … namely DC’s New 52 initiative.


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The Webcomic Overlook #184: Cucumber Quest

The artwork for Gigi Digi’s Cucumber Quest is so adorable that you start to wonder why this isn’t a webcomic that has a hundred different kinds of t-shirts on display in its virtual storefront. In an alternate universe, shirts sporting different kinds of Cucumber Quest characters would be seen on the racks at the local Fuego, on iPad slipcases, on backpacks, wallets, and purses, and on a baby’s disposable diapers. Cucumber Quest characters would give Hello Kitty and My Little Pony a run for their money.

Cucumber Quest is filled with cute rabbits with big fuzzy faces and rounded ears. Ms. Digi’s art makes you just want to cradle their soft, huggable heads of our two principle characters, Cucumber and Almond. You want to nuzzle their hair affectionately, which no doubt carries the refreshing fragrance of fresh cut vegetables or the faint sweetness of roasted nuts. Ms. Digi doesn’t ink the outlines and renders her characters in soft tones and brush strokes (or whatever passes for brushstrokes in the computer art world), which increases the adorability by a factor of squee.

Some cute touches slip your attention initially, but when you catch on, you can’t help but smile. One character named Carrot, for example, has hair that’s bundled up to look like carrots. Cute! But then you notice that another character named Dame Lettuce has lovely locks that look like lettuce leaves. And then you notice Sir Bacon’s coiffure, which looks like little strips of everybody’s favorite savory breakfast. The visual and verbal cues engages senses beyond the visual. It’s hard to see and read about Sir Bacon without also imagining the smoky, alluring aroma of sizzling pork fat. In a way, the food’s characteristics subliminally add to his personality.


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The Webcomic Overlook #183: Turbo Defiant Kimecan

It’s been almost a decade since I’ve last watched anime. At some point, I think, I just got too old. I began prioritizing artistic and storytelling cues that anime was just not delivering. The characters were just too … young now. The complexions were too smooth and attractive. Nowadays I enjoy visual imperfections that give some character. And, for the most part, the hallmarks of youth — the uncertainty for the future, the need to define one’s destiny, the feeling of invincibility one gets when at one’s peak physique — are now concerns that I haven’t though about for years. Anime and adolescence are intricately tied.

More than anything, though, I think you get to be a certain age where staring at pictures of teenage girls in short skirts gets to be a little creepy. You think “Read Comics In Public Day” is some sort of brave stand against societal norms? Wait until I establish “Grown-Ass Men Read Shoujo Manga Day.”

Westernized manga, though, tends to solve a lot of my most pertinent issues. They retain the art style, the trappings, and the story beats from their Japanese originators. At the same time, they are more likely to mirror attitudes and mores less embarrassing for Western audiences. Take, for example, Ferran Daniel’s Turbo Defiant Kimecan, a manga-style webcomic that hails from Mexico. (For you readers from a primarily Spanish-speaking country, you may be happy to hear that there is a Spanish version of the comic.)

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The Webcomic Overlook #181: The Noob

I think I’ve mentioned it on this site before, but I’ve never gotten into MMORPGs. Oh, I’ve played RPGs that bear striking similarities to to modern MMORPGs. I’ve played my share of Ultimas and Final Fantasys and Dragon Ages and Baldur’s Gates, but I’ve never experiences the glories of joining guilds, grinding, and dealing with mods. I’m most familiar with MMORPGs through the South Park World of Warcraft episode, perhaps my favorite South Park episode of all time.

We have a former professional gamer who just joined us at the office, and when he shows us Youtube videos chronicling his World of Warcraft exploits, my eyes completely glaze over. From what I have gleaned from my discussions with him, there are sanctioned competitions and joining a party requires filling out forms in a process that can be more strict than a job interview. This probably strikes to the heart of why I never got into MMORPGs. I love me some fantasy literature and imagery — a love that has endured since I picked up my first Hickman & Weis novel when I was a wee one — and from what I hear about the politics surrounding MMORPGs this seems to be anything but. In fact, it seems like math. And if I wanted more math, I’d go to work. Like, more often.

This makes me seem like I’d be terribly ill-equipped to review Gianna Masetti’s webcomic about life in an MMORPG. Fortunately, the comic is told from the perspective of … The Noob.


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The Webcomic Overlook #179: The Society of Unordinary Young Ladies

Ever since Alan Moore decided to expand his League of Extraordinary Gentlemen universe beyond the era of Victorian England, fans have been speculation what other pop culture characters would work well in a crazy mash-up. Some speculation have been serious, but much has been tongue in cheek.

One of the best was an April Fool’s gag at Comics Alliance in 2010, where the writers imagined a 1980′s superteam. This League included Doc Brown, B.A. Baracus, Jack Burton, Lisa from Weird Science, and the GODDAMN MacGyver. You’d have to work hard to come up with anything more idea than that, which was a weirdly more compelling premise than, say, The Black Dossier.

But did you know that this isn’t the first time someone attempted to do an LXG pastiche in the Me Decade? I didn’t either. It wasn’t until Comixtalk linked to this piece on Newsarama that I learned of the existence of Wahab Algarmi’s The Society of Unordinary Young Ladies.

Like LXG fills its roster with public domain characters you were forced to read about in elementary school, The Society fleshes out its roster with young female characters from 1980′s sitcoms: Punky Brewster, Evie from Out Of This World, Vicki from Small Wonder, and Wednesday Addams.


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The Webcomic Overlook #177: Transient Man

There’s a place in San Francisco called the Tenderloin. It’s a sketchy area filled with crime, drugs, and prostitution. In its past, the neighborhood was filled with boxing gyms, gambling establishments, and speakeasies, and today it remains the same, only replaced with liquor stores and strip clubs.

The seediness is almost a point of cultural pride. Dashiell Hammett, author of the Maltese Falcon, immortalized the area as the base of operations for hard-boiled detective Sam Spade. He elevated the Tenderloin to mythical proportions by transforming it into a place that seethed mystery and danger.

When I visited San Francisco a few years back, I stayed in a hotel a block west of The Tenderloin. Trust me, I wasn’t quite so well versed in San Francisco geopolitics at the time. One thing you notice immediately is that the place is full of homeless people. Generally non-threatening homeless people (at least from what I encountered), but quite numerous nonetheless.

Massive Black Entertainment’s Transient Man is a romantic adventure about the homeless of the Tenderloin. The story is told through a homeless man named Bob who talks to interdimensional beings that aid him on his journey in saving the universe. This high concept premise is already so inherently intriguing that it would have to work incredibly hard to fritter away any goodwill.

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