Category Archives: adventure webcomic
I have a startling confession to make: I’m a pretty big fan of the probably cancelled NBC series Siberia. (I was also a fan of The Cape, so maybe I’m just attracted to failure.) Siberia starts off by fooling viewers into thinking that they’re watching a reality show. Contestants are dropped off via helicopter into the forbidding wilderness of northern Russia. Like all reality shows, they start things off with a silly challenge. Race to the cabins! The last two get eliminated! The trappings are familiar to anyone who’s watched TV in the last decade. There’s filmed confessionals to flesh out character personalities, alliances being formed, and mugging for the unseen cameramen.
Show’s true format and statement of intent reveals itself by the end of the first episode, though. One of the contestants is presumed dead. Brutally mutilated. It slowly dawns on the characters (and the viewers) that nothing on the show is as it seems. Slowly but surely, the safety net disappears. The characters arrived in Siberia with the assumption that, no matter what goes wrong, there’s a support team hiding just out of view to deal with the really serious stuff. Like food rations, medical care, or keeping away dangerous animals or people. Scary moments are initially brushed off as just being part of the show. The real horror creeps in when the characters suddenly realize that nobody is in control, and they are all at the mercy of whatever dark, unspoken mysteries lurk just beyond the campgrounds.
The same sense of primal eeriness permeates Katie Rice’s difficult to spell webcomic Camp Weedonwantcha. (“Weedonwantcha” is a play on words: it’s both a parody of camps that takes on Native American names and what Avengers director Joss Whedon says when he wants to pick up chicks.) The encroaching sense of desperation isn’t at the forefront, though. This is primarily a humorous comic about kids having adventures at camp. One that they seem to be unable to leave. And not because the crafts classes are super fun.
You’ve got to hand it to Andrew Hussie. They guy seems to go out of his way to be as alienating as possible. Just when it seems like the story’s gaining traction, he’s all, “Nuts to that sh*t. Time to roll with something that makes even less sense.” When MS Paint Adventures: Homestuck started, it bore a lot of similarities with its predecessor, Problem Sleuth, as a parody of an adventure game, complete with confusing inventory systems and glitchy controls. But then, all of the sudden, it became this complex world-building mythology, with multiple planets and a core system of light and darkness anchored by two planets with two moons.
And then Act 5 rolls around. Hussie introduces a bunch of abrasive new characters with orange horns that were so myriad that they seemed impossible to track. Oh yeah, and they’ve got their own alternative world and a complicated system of romance. Clearly, Hussie has disappeared straight up his own butt, right? Well, that maybe so… but the gamble paid off, and Homestuck became more popular than it ever had been before. At least with the costume stores supplying gray facepaint to all the troll cosplayers out there.
When we get to Act 6, then, the question isn’t, “So, what’s Hussie going to do to answer all these puzzles and mysteries?” It becomes more, “What sort of ridiculous bull is Hussie going to make up just to needlessly confuse and deliberately obfuscate the story even further?”
There are drawbacks to being this experimental, though. At some point, the mythology can get too top heavy, and the characters the readers learned to love over the course of the story get lost in the shuffle. Hey, Losties: remember Lost, Season 6? The experimental one that discarded the format, explored all new characters with a sideway universe where the cast had different adventures because they were living in a parallel world?
Battlin’ animals seem all the rage these days. And the more inappropriate, the better. Pokemon probably started the rage, what with its rats and lizards and … um … mimes all bread for battlin’. The trend has spread to webcomics as well. 2012, for example, saw the Eisner Award go to Battlepug, which, as its title suggests, is about a pug that battles. That, of course, is part of its humor. Who expects a pug to battle? They look like sad little children, more likely to be begging for handouts than to be bathed in the blood of war.
And cuddle unassuming animals are once again at the forefront in Bryan Fleming’s Battlecroc. That’s right, thouse friendly long-snouted fellows that Steve Irwin used to pal around with (until his unfortunate demise at the end of the frightening tail of the stingray) are portrayed as unlikely warriors in a world that hoas gone to the birds.
(That’s right. Again with the bird-bashing. Hasn’t the Angry Birds franchise done enough damage by portraying these feathered hacky-sacks as being in a permanent state of utmost surliness?)
Fantasy is rooted a little bit in actual history. Most of the time, this means the European Middle Ages. Knights in shining armor, kings and queens, towering castles, and legends of dragons and elves. King Arthur stuff. However, there are tons of challenges in setting things at a certain era. As fantasy writer Poul Anderson once elaborated in his essay “On Thud and Blunder,” “Beneath the magic, derring-do, and other glamour, an imaginary world has to work right. In particular, a pre-industrial society, which is what virtually all hf uses for a setting, differs from ours today in countless ways.”
One of the things that writers often do is just ignore the historical nuisances. Don’t worry about people’s hair not looking perfect; just assume that everyone has access to soap, mirrors, and plumbing. Pay no attention that there are no city lights; our heroes can travel by night just as easily as by day. One of the biggest historical running blocks are the roles of women. Joan of Arc aside, women in the Middle Ages were typically not trained to be warriors. It was dudes. But, since in these days it’s not in the writer’s or the reader’s best interest that the adventurers be one big sausage party, fantasy authors tend to either ignore or minimize male chauvinism. Lady warriors just show up dressed in trousers made for men, and the townspeople rarely bat an eye.
The limited opportunities for women, though, is the driving narrative in Ed Cho and Lee Cherolis’ Little Guardians. The story centers around two characters: Subira, an unassuming shopkeeper’s daughter who has great potential, and Idem, an unlucky boy who’s training to be the next Guardian.
Welcome, boys and ghouls, to another frighteningly fun edition of the Deadcomic Overlook … um, Hotel! Ha ha ha ha ha! This is your ever fiendish host, El Satan, bringing you another chilling review of …
Is it November already?
Well, pilgrim, get ready to feast on another review. This time we’ll be looking at a little giblet of a comic called Girls of Monster Paradise by Stephanie Gladden. Will this webcomic leave you feeling thankful, or will it be turkey terrible?
I think Homestuck is seeping into the most treasured crevasses of my brain. I had a generally busy October, which prevented me from updating this site too much. And while I can be a typical LiveJournal parody about how real life got in the way, and how I’m totally going to update and blah blah blah blah blah, but I won’t. I’m a bigger man than that.
I’m going to blame Homestuck.
Darius3 made a humorous comment that clearly Homestuck was the reason for lack of updates, and honesty… it’s not that far off. Not the way that you think, though. For one, typically I can catch up on webcomics by, say, pulling up my iPad or iPhone and reading on my free time. Homestuck is so heavily reliant on Flash that I pretty much have to wait until I get home… and honestly, that’s where I have the least amount of free time. Second, it’s very much a time investment. Someone mentioned it’s longer than the Bible, which I will not doubt for a second. However, reading Homestuck means not reading other webcomics, which, in turn has caused this here webcomic review site to lie barren and fallow.
As a result, I have resolved to take a short break from Homestuck and browse around the other fine webcomics available for perusal. Time for something COMPLETELY DIFFERENT! One that caught my eye on a purely aesthetic level was submitted for my “Shilled” drive and still has a link on the right sidebar. It’s a little thing called Olympus Overdrive. Created by Oskar Vega, it stars a guy … with the horns … and discolored skin….
(This is Part 2 of the massive Homestuck review. Click here for Part 1, covering Acts 1-4.)
I get it.
I totally get it. The appeal of the trolls, I mean.
When Andrew Hussie’s MS Paint Adventures: Homestuck started out, the characters could be best described as perhaps being tied to one personality trait. John is nerdy, Rose is gothy, Dave is cool, and Jade is sunny. They’re pleasant enough protagonists, but they’re pretty much video game heroes. Whether you’re Master Chief, the marine from Doom, Mario, Sonic, or the guy from BioShock, the main character is typically a stand-in for the player (or in this case, the reader). There has to be enough wiggle room for you to, in a way, become that character.
The trolls are different. I have a weird feeling that when Hussie started off Chapter 5, he was intentionally trying to tax the reader’s patience. We’ve been following the same four characters for four whole acts, when all of the sudden they disappear and are replaced by twelve all new characters that we hadn’t been invested in at all. Now, as an avid reader of fantasy novels, I’m pretty used to chapters where we abandon our main characters for long stretches to flesh out and establish new characters and communities. I have a feeling, though, that when this act came out, long time readers were throwing their hands up in disgust but about, say, the fifth troll introduction.
Yet, at the same time, the trolls ended up becoming the most visible symbol of Homestuck. I remember distinctly when the initial supporters (usually posting some variation of “Wake up, boy”) gave way to the cavalcade of troll fan art and cosplayers. I’d read some Homestuck before, though I’d stopped before even the end of Act 1. And I remember scratching my head, thinking, “Wait. This is the same webcomic?”
All the same, I totally get it.
(NOTE: The following review will compare Homestuck to friggin’ James Joyce and George Bernard Shaw. For readers with low tolerance for pompous malarkey, discretion is advised. Then again, PBS and Tor Books’ Mordecai Knode made the same comparison, so nyeh!)
It’s time once again to delve into the world of comics in the digital medium, where your eyes are bombarded not by inks and tree fibers but rather by the warm, embracing glow of an LCD monitor. There’s been a pretty big gap in my reviewing back catalogue, which for some reason includes something called Loviathan and something called Glam but for some reason doesn’t include the webcomic whose cosplayers overtook Emerald City Comic Con this year.
That’s right, readers: it’s time for yet another review of Andrew Hussie’s MS Paint Adventures: Homestuck!
Now, for those of you who are unfamiliar with Homestuck, or maybe you’ve heard about it in bits and pieces but really don’t know much about it, there’s one thing you should know right off the bat: it’s a very long webcomic. A VERY long webcomic. And deceptively so. As a result, I’m splitting this review into two segments. The first will reivew Acts 1-4, which focused mainly on the players of John, Rose, Dave, and Jade. (I will call these four “Pesterchums.” I don’t know if that’s the official term for them, but that’s how they appear categorized in their chatlogs.) The second will deal with Acts 5 and beyond, which seems to focus on the trolls.
Is this a fair dividing point? I think so. Back in the day (holy crap, this comic started back in 2009?) fans on the webcomic seemed to be split on how to take Act 5. The focus one trolls cause some to quit. On the other hand, trolls seems to be what maneuvered Homestuck to the big leagues. How much fan art is devoted to trolls vs. that which is devoted to the original crew? I’m guessing a million to one. As a result, my scholarlycomparison of trollspeak to Li’l Abner‘s cornpone dialects is going to have to wait until Part 2. Doesn’t that sound exciting?
… yeah, I didn’t think so either.