The Webcomic Overlook #201: Battlepug

For some reason, webcomic creators really love mashing two unlikely subject matters and making a story out of it. (Though, to be far, it’s not only webcomics. Abraham Lincoln: Vampire Hunter, anyone?) There are doctors who are also ninjas, doctors who are also dirtbike riders, dinosaurs who are ninjas, cops who have axes, barbarians who are Americans, and American patriots who are rock stars. It embraces an internet appetite for the absurd, which is why it’s actually fairly amazing that a lot of these comics can actually maintain a long term story.

I mean: think of that movie, Snakes On A Plane. Why did that fail? The biggest one was that once you got the title, you pretty much got the whole joke already. On the other hand, The Adventures of Dr. McNinja has been going strong for 8 years now. I think the webcomic format is more suited for silly ideas like these. They feel far more like they’re genuinely off-the-cuff and not focus-grouped to death. It doesn’t have to be dumbed down to reach as wide an audience as possible. It only needs to reach the fans of eccentric humor … which are not in short supply on the internet.

And now, something with a mash-up premise is a nominee for the Eisner Awards: Battlepug, created by Mike Norton, who’s done work in the comic industry (Runaways, Queen and Country, and Young Justice to name a few). You mash together a barbarian and a giant pug. What could go wrong?


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One Punch Reviews #64: Next Town Over

One of the genres that has surprisingly thrived under the webcomic format is the weird western. Now, I ain’t saying that readers cotton it, particularly — the same way they cotton those comics what make fun of video games, I mean. Weird westerns, though, sure do cut a swell during awards time. High Moon, which is about the Wild West with werewolves, won a Harvey Award. Guns of Shadow Valley, which is about cowboys with superpowers, was nominated for an Eisner. It makes sense when you think about it. Weird westerns hearken back to the Golden Age of movies when heroes like John Wayne, Gary Cooper, and Clint Eastwood lit up the screen. At the same time, they play to more modern audiences when you add some sci-fi, the supernatural, fantasy, and steampunk.

Who could have imagined that The Wild Wild West was the future of storytelling?

Which brings us to Erin Mehlos’ Next Town Over. It sure is a mighty unassuming name. You hear it and you done think to yourself, “With a fancy title like that, this is surely some sort of romance comic.” Which, come to think it it, may not be all too far from the mark. At its heart, this is a webcomic about two lovers. They also have superpowers. And a couple of souped up horses. Set down a spell and you’ll see what I mean.

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One Punch Reviews #61: Bearmageddon

Ethan Nicolle made his mark on webcomics with Axe Cop. This much celebrated comic proved that if you added stellar illustrations to a six-year-old kid’s rambling storytelling, you come up with something that’s pretty magical. We all knew though, that it was destined to end. Little Malachai would soon become self aware or tired, and you can only hang on the adventures spouted by a kid for so long vefore it no longer becomes cute.

Fortunately, Ethan decided to follow up his initial effort with a story from his own creation: Bearmageddon. Now, I know what your thinking: between the title and the webcomic’s header image of bears with different animal forms (which looks like a kickin’ rad album cover for a 70′s metal band). You’re saying, “Man, El Santo, not another webcomic with random humor!”

This webcomic does rely on goofy nonsequiturs like an octopus bear. But, thus far, you know what this comic reminds me of? Animal attack movies like Anaconda or Lake Placid. And that is not a bad thing.

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The Webcomic Overlook #195: Derelict

Loneliness is a two-edged sword. On the one hand, it’s kinda nice to be away from people. You can be alone in your thoughts. You never have to worry about behaving or others looking down on you. You are your own master.

And then there’s the flipside. It’s unnerving when the only voice you can hear is your own. There’s no one to help you if you get in trouble. There’s no one to comfort you when you cry, no one to laugh at your jokes, no one to tell you if you look good today.

Loneliness is both alluring and frightening. Thus, it’s a natural theme for most post-apocalyptic stories. Take the movie I Am Legend, for instance. Sure, an abandoned New York can be a pretty cool place where you can play golf on an aircraft carrier or break into houses and rummage through other peoples’ drawers or drive whatever exotic car you want. It’s such an alluring fantasy that there’s even a term for it: “cozy catastrophe.”

It’s also soul-crushing. When Will Smith is forced to kill his dog, you can sense that he lost something even more valuable than his utter surplus of freedom: companionship.

Which brings me to Ben Fleuter’s webcomic, Derelict.


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The Webcomic Overlook #194: Mystic Revolution

No one really talks about RPG/MMORPG webcomics, even though I’ve encountered, literally, a poo-pile of them. 8-Bit Theater. Darths & Droids. Order of the Stick. Erfworld. The Noob. Ding!

Maybe it’s because the source material is not easily categorized. I mean, there’s debate going on whether MMORPGs (or, as Yahtzee Croshaw calls ‘em, “muhmorpergers”) are even games, since they’re really more about tedious grinding and chat room socializing. So it feels really weird to call an MMORPG webcomic a “gaming comic.”

Then there’s the whole dual nature of RPGs where characters often are two characters. There’s the character of the person in the game, which is usually a fantasy race like an elf, a dwarf, an orc, or a bard. And then there’s the flipside… the character in real life. Can the writer reconcile the fictional fantasy life with the real world? It’s not impossible. South Park‘s World of Warcraft episode, I think, did a good job portraying the stakes on both sides.

Many comics choose to ignore the duality. Not Jen Brazas’ Mystic Revolution, where the role-playping aspect is called out continually. Does it work as a webcomic? Let’s find out.


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Random Quickies: Skullkickers

Skullkickers, written by Jim Zubkavich (a.k.a. “Jim Zub”) and illustrated by Chris Stevens, Edwin Huang and a team of artists has been getting quite a bit of press lately. Robot 6 had a recent piece on how it swiftly reached 500k page views (or 38,000 unique readers) in the span of a month. Skullkickers already had debuted in print, but it seems to be gaining an online following after back issues were posted on Keenspot for free.

Our two amoral leads — a bald dude and a dwarf — fight monsters for money and get in trouble with the local law when they do so. The lovely art has a painterly Heavy Metal feel to it: colorful and keenly detailed at the same time. Skullkickers is also light on plot, aiming instead for action sequences and slapstick humor. Which is fine, because Jim Zub and his team do action and comedy really well. It’s a fun comic for folks who just want to see dudes punch out another dude. But really, would you expect anything less from a comic called Skullkickers?

The Webcomic Overlook #192: 2D Goggles

Through its relatively short lifespan as a genre, webcomics have proved they can do things just as good as any other form of media can. They can make you laugh. They can make you cry. They can make you poo your pants when you get a surprise animation of a creepy anime zombie girl. They can make you find the goodness in humanity through the flooded streets of New Orleans, and they can make you feel the frustration of trying to find a loved one in Iran.

And, yes, webcomics can teach. Moreso, I suspect, than conventional print comics can. There are a lot of webcomic creators out there — such as Kate Beaton and Randall Munroe — that actually respect the intelligence of their readers. They’ll give you a set up using an obscure historical figure or an advanced calculus mathematical equation and trust that you’ll laugh even if you don’t get it at first, and that you’ll do more research if the subject piqued your interest.

Take, for example, Sydney Padua’s 2D Goggles (subtitled The Thrilling Adventures of Lovelace and Babbage), a webcomic about two historical characters that I hadn’t thought about since my high school BASIC programming class.

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