The Webcomic Overlook #201: Battlepug

For some reason, webcomic creators really love mashing two unlikely subject matters and making a story out of it. (Though, to be far, it’s not only webcomics. Abraham Lincoln: Vampire Hunter, anyone?) There are doctors who are also ninjas, doctors who are also dirtbike riders, dinosaurs who are ninjas, cops who have axes, barbarians who are Americans, and American patriots who are rock stars. It embraces an internet appetite for the absurd, which is why it’s actually fairly amazing that a lot of these comics can actually maintain a long term story.

I mean: think of that movie, Snakes On A Plane. Why did that fail? The biggest one was that once you got the title, you pretty much got the whole joke already. On the other hand, The Adventures of Dr. McNinja has been going strong for 8 years now. I think the webcomic format is more suited for silly ideas like these. They feel far more like they’re genuinely off-the-cuff and not focus-grouped to death. It doesn’t have to be dumbed down to reach as wide an audience as possible. It only needs to reach the fans of eccentric humor … which are not in short supply on the internet.

And now, something with a mash-up premise is a nominee for the Eisner Awards: Battlepug, created by Mike Norton, who’s done work in the comic industry (Runaways, Queen and Country, and Young Justice to name a few). You mash together a barbarian and a giant pug. What could go wrong?


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One Punch Reviews #65: Outfoxed

Webcomic short stories tend to make a big splash with two audiences: the people who read Reddit and the judging panel of the Eisner Awards. In 2009, for example, a whopping three short stories were under consideration: Speak No Evil, Vs., and The Lady’s Murder. A fourth, Bodyworld, was longer, but structure to come to a finite ending. It’s a format, that, in a way, is more appropriate of an award that bills itself as “The Oscars” of comics. There’s a complete story, a more cohesive theme, and character progression… things that Oscar-worthy movies are typically judged by.

This year, we also have three short stories vying for the Eisner. There’s Sarah and the Seed (which I looked at here), perhaps the shortest work every submitted for Eisner consideration. There’s Bahrain (which I took a look at over here), which muses about politics in the titular country.

Then there’s Outfoxed by Dylan Meconis. Ms. Meconis has, perhaps, more webcomic-cred than the authors involved in this year’s round of Eisners. Her previous works, Bite Me and Family Man, have taken a look at classical horror elements (vampires and werewolves) in historical settings. There’s nothing of the sort in Outfoxed. I mean, maybe a werefox… if that’s a thing.

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One Punch Reviews #64: Next Town Over

One of the genres that has surprisingly thrived under the webcomic format is the weird western. Now, I ain’t saying that readers cotton it, particularly — the same way they cotton those comics what make fun of video games, I mean. Weird westerns, though, sure do cut a swell during awards time. High Moon, which is about the Wild West with werewolves, won a Harvey Award. Guns of Shadow Valley, which is about cowboys with superpowers, was nominated for an Eisner. It makes sense when you think about it. Weird westerns hearken back to the Golden Age of movies when heroes like John Wayne, Gary Cooper, and Clint Eastwood lit up the screen. At the same time, they play to more modern audiences when you add some sci-fi, the supernatural, fantasy, and steampunk.

Who could have imagined that The Wild Wild West was the future of storytelling?

Which brings us to Erin Mehlos’ Next Town Over. It sure is a mighty unassuming name. You hear it and you done think to yourself, “With a fancy title like that, this is surely some sort of romance comic.” Which, come to think it it, may not be all too far from the mark. At its heart, this is a webcomic about two lovers. They also have superpowers. And a couple of souped up horses. Set down a spell and you’ll see what I mean.

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The Webcomic Overlook #198: The Secret Knots

Did you know that April is National Poetry Month? Unless you’re an English teacher, my guess is your answer would’ve been, “What’s poetry?” I, frankly, wouldn’t have known either if one of my co-workers didn’t sorta make it a thing over here by posting verses on a nearby board.

The poets.org site tells me that “National Poetry Month is now held every April, when publishers, booksellers, literary organizations, libraries, schools and poets around the country band together to celebrate poetry and its vital place in American culture.” There’s a Poem In Your Pocket Day coming up April 26, where you’re supposed to recite verses that you happen to have stored in your shirt pocket. (Good think I checked; I’ve got a week or so to raid my library of dirty limericks.) The site also suggests reading interviews and literary criticism. Now, this is the “Webcomic Overlook,” unfortunately, not the “Poetry Overlook,” so I don’t be tossing out my scathing opinions on Sylvia Plath.

And webcomics can’t be poetry … or … can they? After all, webcomics are visual, and, as poetry critic Jan Schrieber says, poetry is partly defined by sound: “To make that formula a little more explicit, we can say that a poem, being a creature of language, has meanings that are conveyed through linguistic means, and being also a creature of sound (which is not incidental as in prose but structural), has the potential to affect the hearer’s sensibility through auditory stimulus, including rhythmic patterning, the repetition or modulation of phones (speech sounds), and the strategic deployment of silence.”

If I were to dabble in the realm of evoking imagery through aesthetic language, then perhaps one place to start would be with Chilean comic creator Juan Santapau and his webcomic The Secret Knots.


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One Punch Reviews #61: Bearmageddon

Ethan Nicolle made his mark on webcomics with Axe Cop. This much celebrated comic proved that if you added stellar illustrations to a six-year-old kid’s rambling storytelling, you come up with something that’s pretty magical. We all knew though, that it was destined to end. Little Malachai would soon become self aware or tired, and you can only hang on the adventures spouted by a kid for so long vefore it no longer becomes cute.

Fortunately, Ethan decided to follow up his initial effort with a story from his own creation: Bearmageddon. Now, I know what your thinking: between the title and the webcomic’s header image of bears with different animal forms (which looks like a kickin’ rad album cover for a 70′s metal band). You’re saying, “Man, El Santo, not another webcomic with random humor!”

This webcomic does rely on goofy nonsequiturs like an octopus bear. But, thus far, you know what this comic reminds me of? Animal attack movies like Anaconda or Lake Placid. And that is not a bad thing.

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The Webcomic Overlook #196: The Revolution Will Be Televised

On December 17, 2010, Mohamed Bouazizi had had enough. He’d been us he’d too far by local authorities. He was a poor street vendor from Tunisia who was struggling to feed his family. Unfortunately, his small wheelbarrow, from which he would sell produce, would constantly be confiscated by corrupt local officials. Eventually, he would find himself in debt. He would not have enough money to bribe officials to keep his stand open.

after his latest confrontation with an official, Mohamed went to complain to the governor’s office. They refused to see him. So Mohamed got a can of gasoline. He stood in the middle of traffic, and he shouted, “How do you expect me to make a living?” Then he doused himself in gas and set himself on fire. Mohamed would die a couple of weeks after at the young age of 26.

What would happen after would go on to be known as “Arab Spring.” The violence of Mohamed’s death shocked young Tunisians, who took to the streets in protest against corruption in the government. and it was not confined to Tunisia. The protest spread to Algeria, Jordan, Yemen, and Egypt. And then they spread further. The winds of change spread throughout the Arab world. It was a calamitous time. One one end, there were the indelible images of women handing flowers to soldiers. As the other end, there’s the bloody toll: Wikipedia has listed the number of deaths at 32,000 to over 50,000.

Dov Torbin and Asher Berman planned on taking a vacation to Egypt when all hell broke loose. What had been a trip to see the sights of ancient Egypt suddenly becomes a struggle to find a working phone so they can talked to loved ones back home. They recount their experiences in The Revolution Will Be Televised.

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The Webcomic Overlook #193: Two Guys And Guy

Once upon a time, there was a TV show called Two Guys, A Girl, and A Pizza Place. It was mildly successful, lasting for four seasons and picking up twelve million viewers on its first season. The show then went all, “Hey, man, I’m sorta getting tired of pizza. Want a try something different tonight? Sushi? Mexican? Anyone?” So they dropped the “Pizza Place,” giving the show the new title of Two Guys And A Girl. Eventually, the entire title and most of the cast was chopped down until there was only Ryan Reynolds, who went on to kill the still-in-its-infancy Green Lantern movie franchise.

The show has disappeared beneath the inky black waves of television history, yet that title lives on. It seems that the Two Guys have hooked up with another Guy, because that’s the title of Rickard Jonasson’s Two Guys And Guy.

I guess that “pizza place” is still plum outta luck.

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