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Monthly Archives: September 2012

Poll: Sluggy art

The first Sluggy Freelance

Sluggy Freelance now.

Of all the comics out there, Pete Abrams’ artistic style on Sluggy Freelance seems to never to visually change. Some people see consistency. Some people see stubbornness. Are you a fan of the art? Yea, or nay?

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The Webcomic Overlook #211: Outsider

Stories of disenfranchised youth are all the rage these days. None strikes to the heart as much as the story of a young greaser named Ponyboy. (I should probably make this clear in this day and age that he’s not named “Ponyboy” because he’s way into My Little Ponies.) The rich kids are known as the Socs — short for Socials. Early in the story, Ponyboy gets attacked. This bings to a head a class struggle set against a dusty Oklahoma setting. After a tragic incident occurs, Ponyboy soon finds himself many miles from home, trying to sort things out and in the processes becoming wiser than when he started.

Wait — what? It’s a different Outsider? …. With no “s”?

OK, look. Time out. Obviously I didn’t really mistake the infamous S.E. Hinton novel — whose movie adaptation launched the careers of Tom Cruise, Patrick Swayze, C. Thomas Howell, and Diane Lane — for today’s reviewed webcomic. I mean, geez, this isn’t Young Adult Novel Overlook. To tell you the truth, though, Jim Francis’ Outsider is not that much different. Just substitute Ponyboy for Alexander Jardin, the Socs and the Greasers with the warring Loroi and Umiak, and Oklahoma for outerspace. It’s fairly easy to confuse, admittedly, so here’s the big difference. The Outsiders is the one you were forced to read in junior high. Outsider — no “s” — has alien space babes.

There should be no question which one here is the superior product.


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Who Are You?: An Interview with Henry Kuo (Just The First Frame)

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Finding new webcomics is a daunting business. As any two people what their favorite webcomic is, and — outside of “What’s a webcomic?” — you’re likely to get two very different answers. There are many, many webcomics out there, almost as many as the grains of sand on the beach, and sifting through them is a chore. We often settle on comics that are recommended to us, but rarely do we find a gem out there on our own.

Recommending webcomics online has its challenges, too. The nature of the internet means that anyone can just download a panel and post it anywhere. The problem, though, is when no one gives credit or a link to the original comic. Webcomic creators collect money mainly through advertising, and losing revenue when someone posts a panel outside their site can really hurt a struggling artist… and that’s something that most webcomic readers don’t want. Things came to a head not too long ago when someone developed a webcomic reader app, only to become the target of angry webcomic creators and supporters.

At the same time, though, webcomic creators, especially those with 20K viewers or less, need all the publicity they can get. There’s so much out there competing for our eyeballs.

Enter Just The First Frame.

Creator Henry Kuo put together a fairly elegant system: post a small snippet of a comic. (Or “just the first frame,” as the URL says.) If it manages to catch your eye, you click on the image and it directs you to the site. If you only want to read the comics that are popular, there’s a handy feature that sorts the comics based on how many people are reading it. The readers get a simple, visual way of browse numerous webcomics without leaving the main page. The webcomic creator doesn’t lose revenue, because the entire comic is only available on their site. Everyone wins!

I recently asked the hard working site master about the inner workings of Just The First Frame. Here’s what he had to say:

WCO: With the number of webcomics out there likely beyond the tens of thousands, do you find maintaining your site to be a little daunting?

Henry Kuo: I’m only including and updating comics that have been suggested to me, so it stands at 586 right now. Early on, I had concerns about how I would maintain the site as the number of comics quickly grew, but every once in a while, I would find something simple to make the process quicker, and I’d be confident I could keep up even if it grew to X amount of comics. I think I could comfortably handle about 1000 right now, but beyond that, I’m not completely sure what I would do.

WCO: Have you ever had to reject webcomics from the site based on content, artistic skills, etc.?

Kuo: The only comics I’ve rejected are ones that are NSFW. Other than that, I don’t really want to be a gatekeeper on what gets included and what doesn’t. I just don’t feel it’s my right to say yay or nay based on my personal opinions. As long as it’s a web comic, I’m more than happy to include it. I did add a link beneath each panel that lets you hide specific comic series, so everyone can do their own personal filtering.

WCO: What has the response been like from webcomic creators?

Kuo: I’m honestly very honored when an artist suggests their comic to my site, and I’ve received nothing but gratitude back in return. In the beginning, I was ready to remove the site entirely if there was any negative feedback, but the reaction was quite the opposite and I was and still am very humbled by it.

Actually, there were a few complaints about the use of the word “frame” instead of the correct term “panel”, and I take complete responsibility for that error, but I just kind of liked the alliteration of the F’s and kept it, though I’ve always been open to change it.

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Random Quickie: Magical Game Time

Hey, just because you’re writing a video game webcomic doesn’t mean you can’t have style. That’s what Zac Gorman’s Magical Game Time has in spades. It’s like reading video game humor — mostly filtered through a retro 80′s sensibility — and watching the Adventure Time cartoon. It’s also filled with fun animations, which is always cool. Hey, these are video games not … standing still games.

Amirite, bros?

Metapost: Mobile readers… you are now reading a duplicate of the main site format

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A heads up for the readers who check in on this site using mobile phones:

I noticed that, when checking my site on my phone, it ended up looking a little wonky. I’m pretty sure it has 100% to do with the new style ads that WordAds has been running. You know, big blocks of YouTube that are a little weird, like supposedly secret camera footage of a pregnant Jennifer Aniston drinking water. I have never clicked on these, so I wouldn’t know. Anyway, I brought the problem to the WordPress team, and they got back to me and said that they’d bring this to the attention of their corporate partners.

Still, the formatting issue is admittedly bothersome, so for now I’m going to shut off the mobile version of the site. If you’re reading this on a mobile phone, you should probably be seeing the site exactly how it would appear on a desktop, laptop, or tablet. Anyway, sorry for the inconvenience!

One Punch Reviews #74: Ends ‘N’ Means

When reading Barry R. Hoare’s Ends ‘N’ Means, I can’t stop thinking of the phrase, “Hey, Lois, remember the time…” I have no idea why. What Lois am I thinking of? Lois Lane? Lois Maxwell? Lois from work who does database management? Why am I asking her to remember anything? I don’t even work on the same floor.

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