There was a short lived TV series back in the 1970′s called Electra Woman and Dyna Girl. It was created by Sid and Marty Krofft, those crazy puppeteers who made bizarre, psychedelic shows which tread the line between fantastic and nightmare-inducing. They’re likely lost to younger Webcomic Overlook readers these days: H. R. Pufnstuf, Sigmund and the Sea Monsters, and Land of the Lost. Electra Woman and Dyna Girl was supposed to be a callback to the much more famous 1960′s Batman series. They wore spandex, rode around in Electri-Car before the Nissan Leaf made it cool again, and fought villains with names like Empress of Evil and Glitter Rock… who, frankly, sound like they should be opening for KISS.
If you could sum up the seventies in the span of one minute, you can’t get more accurate than the show’s opening sequence:
Electra Woman and Dyna Girl was never really that popular, and it lasted all of 16 episodes.
And yet … in 2001, some genius decided that it was ready for a reboot. Seriously. And it was as stereotypically 1990′s comic book reboot as you can get. Electra Woman (played by Night Court’s Markie Post) was a washed-up, drunk, divorced superheroine who was brought back into action by an all new Dyna Girl. Now, admittedly this sounds like a pretty terrible concept. However, it’s pretty remarkable when you consider that a) this was a year before Spider-Man officially kicked off the decade when superhero movies dominated the box offices, and b) a full three years before The Incredibles, which rode a very similar premise to boffo returns. (To be fair, though, the whole “washed up superhero” trope had already been done with Watchmen.)
There’s also a webcomic entitled Dynagirl, written by Cary Kelley and illustrated by Harold Edge… and … it’s not that same Dyna Girl created by Sid and Marty Krofft.
Or … is she?
Because, despite the fact that she’s sporting hot pants rather than spandex, Dyna Girl follows what sounds like a very similar story arc as the one Markie Post did in the 2001 reboot.
You know, the wife and I just sat down and watched last Monday’s episode of Castle. In this one, the suspect is a real-life superhero named Lone Vengeance who commits a pretty gruesome murder. Castle and Beckett track down the inspiration of the costumed vigilante, which is a comic book published by neither Marvel nor DC (though it does, as Castle points out, pick up inspirations from Deadpool to Daredevil to Spider-Man to the Black Panther). It turns out that it’s not published at all… it’s available online (and has something of a fanbase … in story, anyway).
So the killer … is from webcomics?
I’m just kinda stunned that webcomics are now part of police procedurals … and an especially smart one like Castle, which did a pretty good job convincing me that Nathan Fillion was a bonafide geek (which he probably really is).
The four-page prop comic from the episode IS available online, by the way. If you read it, though, you have to promise that you don’t start chopping down people in deserted alleyways.
Lauren Davis of the Storming the Tower blog covered the subject of how webcomic artists draw themselves some time back … and it’s commendably thorough, I should add. Now it’s up to Slacktory, and specifically Justin Hall (creator of hand-drawn Rage Comics on Reddit) to take up the serious business of autobiographical and semi-autobiographical artistic renditions.
How do webcomic characters compare to their real life creators? Let’s find out.
Chris Sims is one of the top writers at Comics Alliance. His style is enthusiastic, winsome, and often adorable. He’s referred to as the Batmanologist, since he’s many pertinent questions about the Caped Crusader, such as, “If Batman dies, which two superheroes would Batman select as dads for Robin?” He’s also probably a Punisherologist, since he unabashedly admits that he’s read every single Punisher comic published, including that one where he rented out a jet ski.
Along with writer Chad Bowers, artist Matt Digges, and letter Josh Krach, Mr. Sims also co-writes a webcomic entitled Awesome Hospital. It stars a doctor who is also a guy who rides a dirtbike. That’s right: the whole “doctor who is also something much cooler in the eyes of an excitable 7-year-old boy” pioneered by Dr. McNinja is now officially a genre (subset of General Category: Manchild Webcomics).
The Red Bee’s questionable attire gets him a lot of crap. His stripey tights and transparent blouses makes him to the poster boy of terrible superhero design. And, make no mistake, it IS eye-searingly bad. However, the surprising thing about reading Hit Comics, the home of The Red Bee, is that he was hardly the worst dressed out of the heroes featured within. Hit Comics was a horror house of fashion nightmares.
Don’t believe me? Observe:
Check out the look on the pilot’s face as he’s attacked by the hero Hercules. You can tell he’s all, “Oh … crap. How am I going to explain to the guys back at HQ that I got attacked by a pervert wearing a cape, underpants, and nothing else?” Look, when even pro-wrestlers are dressed more modestly than you, you’re in desperate need of an emergency make-over.
Let me just say, Stormy Foster, that I love the pencil-thin moustache. It’s a facial hair statement that gets so little respect nowadays, especially since Deadshot seems to no longer be sporting his fantastic ‘stache in the pages of Suicide Squad. That said: your costume consists of what can be accurately described as a pair of tighty whities.
Why are there so many ass shots?!?!?
We’re… we’re going on some kind of sex offender registry for viewing Lion Boy, aren’t we?
On the other hand…
Look at this suave mofo. Don Glory is everything you want in a Champion of Democracy … and more. He’s the dude you want to have delivering punches … punches of FREEDOM.
