Kelly Thompson’s Ten Webcomics She Loves

Kelly Thompson, writer of the “She Has No Head!” column at the Comics Should Be Good blog, gives us her list of her ten favorite webcomics. It’s a nice mixture of old standbys like Hark! A Vagrant (reviewed here) and The Abominable Charles Christopher (reviewed here) as well as a few comics I’m hearing of for the first time, like See Mike Draw and Gronk A Monster’s Story. These tend to be aimed at readers who care more about characterization and care less about video game jokes.

Thompson also has a pretty fantastic intro to lead off her article, which perfectly summarizes how all of us feel about webcomics:

I have a love/hate thing with webcomics.

On the one hand there are some damn fine cartoonists and writers putting out some damn fine comics for free and what could be better than that? On the other hand there are about a zillion webcomics out there that are really really bad and it can be frustrating to sort through them to find the gems. Having done a webcomic myself for a year (a crappy journal comic that updated daily Monday through Friday no less…daily!) I know how hard it is to put out a quality piece of work on a regular schedule for free. Okay, I don’t know anything about quality – but I DO know about the schedule stuff and the free stuff and how time consuming and absolutely unrewarding it can be – but with no disrespect intended to any hard working creators out there – I think we can all agree that not all webcomics are created equal.

One of the great things that webcomics do offer readers – certainly more than mainstream comics in many respects – is a really wide variety – everything from single panel gag strips to journal comics to superhero comics. It’s all out there, nearly anything you can imagine and most of it is free…and in this new market of $3.99 for 32 freaking pages (and really that’s only 22-pages of story) it’s kind of mind blowing to see so many truly talented people essentially giving their work away for free.

Superman Returns

Webcomics are good at a lot of things. Sometimes they provide humor that is often too nerdy or too obscure for the mainstream. Sometimes they give a page that little animated nugget that makes the characters leap off the page. Sometimes they provide that framework of community for fans to share their favorite moments or moan when a story goes off track.

But how about a webcomic that restores history?

A recent blog post on BW Media Spotlight alerted me to a project that had been competed around December 2008. Its mission: to restore the unpublished Superman #8.

What’s so great about Superman #8? First of all, it was made by the original creators: the story was written by Joe Siegel and illustrated by Joe Shuster and his studio. But, most importantly, it introduced something called “K-Metal” a weird mineral from Krypton that would rob Superman of his powers.

Sounds familiar? While it’s generally accepted that Kryptonite was created for the Superman radio show as a weakness, Siegel had hashed out the concept some time before. From superman.nu:

DC’s Editorial Director, Whitney Ellsworth, had read the K-Metal script and was intimately familiar with its contents. Ellsworth was also producer, script editor, and frequent ghost-writer of both the Superman Radio show and the later Adventures of Superman television series. It’s likely that 1940′s introduction of K-Metal was the inspiration not only for various incarnations of Kryptonite in various media (the Radio Show, the comics, and Smallville), but that the plot concept of Superman facing emotional and mental challenges—internally debating with himself about his role and his feelings—in the face of an approaching meteor from space that has unpredictible effects on him was also used in the 1953 George Reeves episode, Panic in the Sky and in the later 1994 Lois and Clark episode, All Shook Up. In The Deadly Rock, a follow-up episode to the original George Reeves Panic in the Sky episode, a fragment from the Kryptonite meteor has arrived on Earth and effects not only Superman, but his friend Gary Allen. When exposed to this fragment of Kryptonite, Mr. Allen is impervious to all harm and is invulnerable to gunfire. In the episode, no explanation is provided for why an earthman should be effected by Kryptonite in this manner.

The not-necesarily unrelated idea of an approaching meteor presenting a threat from Superman’s home planet was also obviously inspired by “The K-Metal from Krypton.” This idea was re-used in many comic books stories (most recently in Jeph Loeb’s introduction of the latest Supergirl) and served as the major plot element in the unproduced George Reeves movie, Superman and the Secret Planet. Planetoid-sized fragments of Krypton also played a role in the 2006 movie, Superman Returns, although the scenes were cut from the final release.

And there are other important Superman milestones, like the first time Perry White is named to the first time Supes discovered that he’s an alien.

So why was it never published? Well, it also includes Superman revealing himself as Clark Kent to Lois Lane, and that was probably one change too many for DC.

The restored Superman #8 (“The K-Metal from Krypton”) boasts art from Angel Criado, Shuster Studios, Jon Bogdanove, and Shane Foley. A post from a year-and-a-half ago shows that, while a bit incomplete (with 3 pages to go), this is probably the final draft: “The long and the short of it is that I think the project is as done as it’s going to get. I haven’t heard from any of the artists in quite a while, so I suspect that they’ve pretty much moved on.”

Still, it’s an incredibly worthy effort. The art’s a little modernized, especially in the areas of coloring and detail. Still, it’s got that Golden Age touch where designs are simpler and layouts favored tidy square panels with plenty of dialogue. It’s an interesting exercise, bringing one of Superman’s finest moments to life.

The Webcomic Overlook #124: MS Paint Adventures: Problem Sleuth

NOTE: A commenter has pointed out that MS Paint Adventures isn’t actually done in MS Paint. This manages to invalidate about 5 or 6 paragraphs in this review. So please treat these paragraphs as the ravings of a lunatic. Thank you.

MSPaint has been around since Windows 1.0. when it was called PC Paintbrush. It’s a piece of software that has since been bundled into every version of the Windows OS. Thus, it’s the only graphics painting program that everyone has. It’s simple to use with a few features. Airbrush, paintbrush, line, curve, and ellipse are all you have. Colors are limited to 48 selections.

In other words, it’s very very limited. It’s probably something you don’t want to use if you’re creating a webcomic. When you think MS Paint, you think of, oh, Pokey the Penguin. The joke, more often then not, is the awfulness of the graphics. If you want to actually create art, you’re probably better off using a more versatile software.

Or so you’d think. I’ve seen some surprising attempts at art online. Wikipedia, in fact, boasts a few nicely rendered examples. The result is quite impressive since most computer users are already familiar with the effort it takes just to draw a simple stick figure.

Pushing the envelope is Andrew Hussie, who must have a Master’s Degree in Maximizing Bundled Microsoft Programs for Humor Projects. Hussie is co-creator of a series of Star Trek: TNG and ALF edits, and he redefined the art of making deliberately terrible webcomics with Sweet Bro & Hella Jeff. He’s best known, though, for his efforts on a little thing called MS Paint Adventures.

His latest MS Paint Adventures project, Homestuck, is one of the most visually impressive uses of MS Paint I’ve ever seen. However, I decided to check out his first completed work in MS Paint (and the one that really put MS Paint Adventures on the map), the adventure game parody known as Problem Sleuth. It’s an absolute monster, clocking in at over 1700 pages. And yet it’s the easier than Homestruck to get into.


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Webcomics Are Sexy

So what is it that webcomic creators find sexy? Sexy webcomics are all the rage, what with Lauren Davis expounding on pornographic webcomics at her site (link NSFW) and adult collectives becoming news over at Robot 6 (link perhaps SFW).

Let’s face it… sex sells. So what makes a webcomic sexy? In its continued quest for tasteful excellence, the Webcomic Overlook takes a look at a few of the most important assets that make titillation fun for people of all ages. What elements deliver the wow-wow-wee? The answers may surprise you.

Be warned, while the following is not exactly NSFW, you probably don’t want to get caught at work staring at them anyway.

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The Webcomic Overlook #123: Wasted Talent

Before I start reviewing Angela Melick’s Wasted Talent, let’s talk a little about journal webcomics.

The Webcomic Overlook doesn’t typically review journal webcomics. (Out of 150+ reviews, this is only my fourth journal comic review.) To be honest, I don’t think most sites do. Journal webcomics are a tricky thing: part comic, part blog, part diary. I’ll admit this site is often cruel, but more often than not I try not to directly attack the creator behind the comic. The line between creator and creation, though, becomes exceedingly tricky when the the characters in the comic represent an actual person.

There’s the issue of the nature of the comic. Who in the world would want to read something that’s the equivalent of someone’s diary? I suppose a snarkier reviewer would say “voyeurs,” but I should mention that autobiographies have been around since the beginning of time. Those, though, tend to be written after the events depicted have passed, and there’s a certain distance between the author and the narrative. As a counterpoint, I suppose you can say that blogging is no different… yet most of these blogs get very few readers, and the one that do succeed at least have a unique quality about them — like, say, putting funny outfits on a pug.

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