Posted on February 25, 2010, in comics, metapost, The Webcomic Overlook, webcomics. Bookmark the permalink. 13 Comments.
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west palm beach chiropractorchiropractor west palm beach fl analysis programs also teach students how to work efficiently. The f
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No NameIf you thought it was hard to sit down and read it from the archives, just think of how hard it was
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The Webcomic Overlook #175: Sluggy Freelance, Part 2 (from Oceans Unmoving I to Oceans Unmoving II) | The Webcomic Overlook[…] last time I reviewed Sluggy Freelance, I concluded it with the […]
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KatieOh man, I've been reading some of the one star reviews for fun and this is a webcomic I actually tri
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LouFor anyone who still gives a shit, the (completely unadulterated) comic in question: http://i.imgur.
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Eric StThis guy created a video on YouTube for Frederator Studios. In case you folks are interested, it's c
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OutletI actually liked Demo Reel. I thought that the poor reception was a result of people not being able
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WhocaresEveryone has their opinion of everything. Yea its not the greatest webcomic ever though i find enjoy
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algeya1and now its added in my pool list, good bye monthly 99 cents
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morganwickDC Comics is dead to me post-New 52. Modern superhero comics are basically glorified fan-fic anyway,
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El SantoMy wife's a school teacher, so I guess that makes me appreciate kid's webcomics more and more these
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CopyleftXanthe the Big-Wheel riding radfem is basically the feminist version fo Seymour, the sanctimonious h
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The digital age. Possibly a renewal of some sorts.
The current state of mainstream comics in the US seems to me to be failing. They’re losing comic sales and anything truly original is either online or from Japan (I’m not the biggest fan of Japan stuff though). Anything good happening in comics is going to start on the web, so why not the Digital age?
Mainstream US comics aren’t selling as well as they used to be, true. But the characters created from them are stronger in the popular consciousness than ever, thanks to movies and television. Who would’ve guessed that a second-tier Marvel character like Iron Man would be doing well internationally? I think superhero comics won’t go away; they’re just beginning to transition to a new medium. Somebody once said that superhero fans aren’t necessarily comic book fans, and those superhero fans will eventually need to be served.
While at the same time not all comic fans are superhero fans. There is a large group that are turned away from comics in general because they don’t care for the superheroes.
Also, I mentioned before a few articles I read on this subject by the creator of the comic Dreamkeepers, you might find them interesting:
http://vividstuff.blogspot.com/2008/12/article-comics-banished-medium.html
anything truly original is either online or from Japan (I’m not the biggest fan of Japan stuff though).
Clearly, somebody hasn’t been reading Beanworld. Or Finder. Or anything by the Hernandez brothers. Or Seaguy. Or Jason Shiga.
There is more original work in American comics now then probably at any time in the past.
That hardly says anything to its credit. There being more original work now when there was nearly nothing before doesn’t say much. And it’s all drowned out by the superhero comics that too many people find unappealing and overused. I’m not comparing the originality to times before, I’m comparing it to other mediums. There’s more originality in a few webcomics I’ve seen than an entire comic store.
Don’t we name the ages after they are over? Or I guess people are just too impatient for that nowadays.
C’mon, it’s fun! And it’s got to start somewhere.
Arguably, you have three eras; the 80s, characterised by the black and white boom, the 90s, characterised by the Image revolution, and the post-Image, webcomic era.
And of course, the problem with the “age” designation is that it seems to be based mainly on sales, or possibly nostalgia. The “Golden” age was almost entirely composed of utter shit, artistically speaking.
Honestly, besides the Spirit, can anybody name a Golden Age comic that has any kind of artistic merit? Yeah, we all love Batman, but have you tried to struggle through one of those Golden Age hardcovers?
So, if we’re talking about sales or nostalgia, we could just call it the shit era, and that would pretty much cover things.
Brainwave! It occurs to me that you could call this entire post-bronze age era the Renaissance Age. The last thirty years have probably seen more experimentation and careful thinking then the entire rest of comic book history.
What about “Dark Age”?
The general tune still seems to be “grim and gritty” as far as graphic novels are concerned, there appears to be a kinda Noir revival (X Men Noir etc.) too, zombie-versions of many DC superheroes are popping up (almost ironic isn’t it?) apart from the fact that crises, ultimate crises and infinite crises seem to have become rather popular within the comicverses of some of the main publishers…
There was a Dark Age, and we’re still feeling the aftershocks of it. But since nowadays we look “back” at it, it means it’s passed. Sort of.
There was even a TV Tropes page on it. Not linking because it’s TV Tropes.
The Mindless Ones suggest “the Prismatic Age”, which i like:
http://mindlessones.com/2008/03/31/a-hall-of-mirrors/
http://mindlessones.com/2008/08/03/a-hall-of-mirrors-ii-prismatic-age/
The Shiny Age.
I like this idea I was just thinking to myself that the “modern age” ended. I think that what we know as the early modern age should be be considered THE DARK AGE and then current age of comics should start around the new millennium