One Punch Reviews #24: A.D.: New Orleans After the Deluge

onepunch

It’s not often that webcomics tackle serious subject matter. It’s even rarer when creators take the time to interview people who lived through traumatic real world events, then captured their experiences through illustrations. Creator Josh Neufeld, though, a Xeric Award winner and a founding member of ACT-I-VATE, was up to the task. Neufeld interviewed six different people about what the trials and tribulations they faced on the worst storm that New Orleans ever experienced and made a comic out of it.

This month, the highly acclaimed webcomic A.D.: New Orleans After the Deluge hits the bookshelves. (Amazon.com places the release date at August 18.) The “deluge” in the title is, of course, Hurricane Katrina. The comic was originally serialized online between 2007 and 2008 in Smith Magazine. It was recognized in several publications, including Rolling Stone, the LA Times, the Wall Street Journal, and Newsweek. USA Today named it as one of 2007′s best comics.

Notices like these, by the way, can sometimes be detrimental. They can intimidate potential readers who see the attention the comic is getting from mainstream media reviewers and deduce that the work is difficult, given how praise is usually only bestowed to difficult works. Well, don’t be frightened. The voices of A.D. are those of everyday people, and the straight forward storytelling puts you in the shoes of those who witnessed it.

ad1
Continue reading

Girl Genius wins the Hugo Award

Congratulations to Phil and Kaja Foglio of Girl Genius (reviewed here) for winning sci-fi’s Hugo Award for Best Graphic Story! Gary Tyrrell of Fleen reports:

The Hugo Awards got awarded last night in Montreal, and two of webcomicdom’s finest were up for (I believe the first ever) award for Best Graphic Story: Phil and Kaja Foglio for Girl Genius (specifically book 8: Agatha Heterodyne and the Chapel of Bones, starting online here), and Howard Tayler for Schlock Mercenary (specifically, The Body Politic story arc, starting online here). The Foglios won, and Fleen congratulates them; unfortunately that means Tayler lost, and we at Fleen extend our sympathies along with the comfort that at least he lost to some wonderful people with terrific work.

A very impressive accomplishment when you consider what Girl Genius was up against. The other comics vying for the title included the following heavyweights:

  • The Dresden Files: Welcome to the Jungle, written by Jim Butcher, art by Ardian Syaf
  • Fables; War and Pieces, Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Peopy, color by Lee Loughridge, letters by Todd Klein
  • Schlock Mercenary: The Body Politic, Story and art by Howard Tayler
  • Serenity: Better Days, Written by Joss Whedon and Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen
  • Y: The Last Man, Volume 10: Whys and Wherefores, Written/created by Brian K. Vaughan, pencilled/created by Pia Guerra, inked by Jose Marzan, Jr.

Yes, the Foglios beat the immensely popular Fables, the last volume of the critically acclaimed Y: The Last Man, and geek favorite Joss Whedon. A great accomplishment!

And don’t forget to say “Hi” to them when they’re down in Portland LATER THIS WEEK at the Oregon Nikkei Legacy Center!

The Webcomic Overlook #94: Head Trip

WCO-big-review

When Stephenie Meyer created Twilight, I doubt she knew that she was creating an unstoppable cultural juggernaut. Its effects range from the minute to the macroscopic. Small scale: a mother of two twittered us when she arrived in Forks, practically squealing with delight when she spotted a sign declaring that the city had “8.5 vampires.” Large scale: Borders bookstore is eliminating its CD and DVD section to create “Borders Ink,” a section largely designed to introduce teenage Twilight readers to similar novels and manga.

The series has attracted its share of criticism as well as controversy. While not referring to Twilight explicitly, Neil Gaiman stated that vampires needed to go back to their frightening ways in a recent article on EW.com. A while ago, The Beat practically blamed fanboys for being sexist by using a double-standard when they deal with Twilight fans. Frankly this surprised me, because in my experience the chief critics were female fans — such as Tasha Robinson and Genevieve Koski of the AV Club — who were more than a little insulted that the generally mature vampire genre was being hi-jacked by a Trapper Keeper friendly version that sparkled in sunlight.

Still, I think Twilight mockery is as viable a franchise as Twilight itself. While I have never read any of the books, I have been rather amused and entertained by the podcasts, articles, and blogs dedicated to why people hate Twilight. And Twilight hate is what introduced me to the subject of today’s Webcomic Overlook, Head Trip, written and illustrated by Amanda “Shinga” Bussell.

ht4
Continue reading

Looking back at Scott McCloud’s ten webcomic tips

2008-12-30-images-topten

As a change of pace, I thought it would be nice to take a look at something written about webcomics but one of sequential art’s most influential voices: Scott McCloud.

McCloud’s thoughts on webcomics, which were written nine years ago, often get a bad rep because he was wrong on the micropayments issue. (Chief antagonist: Scott Kurtz, unsurprisingly.) That’s unfair; no one can really predict which economic model eventually succeeds over the other, since it’s the market (e.g., the audience) that ultimately decides what or what doesn’t work. I seem to remember experts laughing at Apple for offering songs at $0.99 when you can get them on Kazaa for free. Yet Steve Jobs is out there, laughing himself all the way to the bank on his iTunes money.

Micropayments, though, aren’t the only thing McCloud wrote about. He also compiled a list, perhaps overly optimistic, of where he would like to see webcomics as a field transcend to in the future. His ten tips were encapsulated in comic form within the panels of I Can’t Stop Thinking! #3.

Do they still hold up today? Or has time and the demands of the readers proved him wrong?
Continue reading

The Joy of Webcomics is all about sharks and viruses

joyofwebcomicsThe Webcomic Overlook is back to provide you the weekly scrapbook of webcomic news. So grab your mint julep (or iced tea), saunter off the the patio, and open your laptop. Take care to put something in between your lap and the computer, by the way (a towel, perhaps), because the heat from the laptop can burn like the dickens.

  • You know what week it is? Shark Week, of course! Every year, we jump in the water with the Discovery Channel to visit these toothy menaces of the sea. And every year, Hockey Zombie is there to oblige.
  • Dash Shaw of the Eisner-nominated Bodyworld joins the Comics Comics blog. His first post? Commenting on the storyboards behind Evangelion 1.0. He’s pretty much the perfect guy to be commenting on it, since his comic also transitions to seemingly random scenes from panel to panel. (h/t The Beat)
  • Sometimes, we forget that webcomics aren’t a unique product of the Western World. It seems that even manga is going digital. From the NY Times:

    So while the explosion in cellphone manga is not a simple story of migration from print to digital, most experts agree that the future of manga lies more on the mobile than on paper.

    “The idea of printing the magazine, loading them on the track and delivering them to distribution centers, that whole model is on the decline,” said Noboru Rokuda, professor at Kyoto Seika University, which has a manga faculty, and a longtime artist himself. “I like to keep the paper manga tradition going, but there is an inexorable transition away from paper and into the digital medium.”

  • Speaking of digital manga, Johanna Draper Carlsson is running a poll at Comics Worth Reading as to which online manga is the best.
  • Is the world ready for a Fahrenheit 451 comic? Tim Hamilton of ACT-I-VATE thinks so! Which brings up a question: how does burning books translate to an age where information is online? Is it akin to the shenanigans Amazon pulled with 1984? And why is there always a flurry of news coverage when someone decides to adapt a classic in comic form? And did the fate of Clarisse at the end feel tacked on or what? (h/t ComixTalk)
  • Where do the AV Club folks love to waste their time? The answers may surprise you!

    Tasha Robinson
    Wait, is this where we admit how little work we actually do here? Sounds dangerous to me. Also dangerous, but more in an embarrassment kind of way: Admitting that my No. 1 take-a-break site is still (ulp) LiveJournal. Seriously. It isn’t what it used to be back in its heyday—there was a time when most of my real-life friends were active there—but it’s still my go-to site for keeping track of the lives of a handful of out-of-state friends, and a few artists and creators I like but haven’t ever met. And I use it as a makeshift RSS reader to alert me to updates on a bunch of irregularly appearing and also pleasantly time-wasting webcomics, like Something Positive, XKCD, Hark! A Vagrant, and MegaTokyo.

    Noel Murray
    My RSS feed—managed by NetNewsWire, which I adore—keeps firing little info-bites and entertainment nuggets at me all day. I don’t deviate much from my fellow Clubbers in what’s on my feed: I like FailBlog and The Comics Curmudgeon and Achewood, and I grab news and insights from an array of movie/music/TV sites, including /Film, Cinematical, Movieline, SpoutBlog, The Live Feed, Z On TV, Pop Candy, Pitchfork, Spin, Medialoper, and The Vulture. Nothing surprising there. So rather than pointing to those, I’ll point to a few sites that I rely on for more than quick-hits. One is The Comics Reporter, which, along with Journalista!, offers a good round-up of comics news and opinions, and can send me down a trail of related stories and comics scans that’ll keep me occupied far longer than they should.

    I hope to end up on these sorts of lists someday, as The Webcomic Overlook always strives to be a premiere provider of time-wasting content. Anyway, there’s a lot of lively webcomic discussion in the comment sections below. Apparently, a lot of people don’t like xkcd.

  • Imagine a world where a computer virus is “art.” Envision, if you will, a reality where connoisseurs pay top dollar for a CD of data that they consider a masterpiece. Or a place where an artist’s work only exists in virtual reality communities composed of digitized avatars. That world is today. Read up on the burgeoning world of Internet Art at The Wall Street Journal.

And now your Aishwarya Rai Tasteful Picture of the Day. Did you know that Ms. Rai’s wedding lasted for a total of three days? Hopefully she didn’t have to wear the wedding dress the entire time. Those things have the mobility of plate mail.

The Webcomic Overlook #93: Ulysses Seen

WCO-big-review

Over the years, The Webcomic Overlook has offended many different kinds of people: conservatives, gamers, furries, Apple users, Lost Cause proponents, anime fans, and Bobby Crosby, to name a few. Ah, what a fruitful two years it’s been. Just so you know, I’m not sitting around in my Cave of Hate trying to figure which people to tick off. El Santo doesn’t roll that way. However, reviews are reviews, and getting a rise out of people fuels our passion, no matter how tangentially related it is to the subject matter.

That said, I’m at least a little bit hopeful that today’s review will be the sort that brings in more literary nay-sayers. You know, just to see if I can class up this blog.

“Whatever,” you’re saying. “It’s not like you’re bagging on James Joyce.”

Ah, monsieur… but I am! For James Joyce has deigned to enter the world of webcomics. Today, I’m reviewing Ulysses Seen, illustrated and adapted by Robert Berry, laboriously annotated by Mike Barsanti, and written by some bespectacled Irish dude who’s been dead since 1941.

us1
Continue reading