The Webcomic Overlook #89: Girl Genius

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Some of my ideas for this site never pan out. A few weeks back, I had played around with doing a theme week. Specifically it was going to be Girl Power Week. (Motto: “Girls rule, boys drool!” Eh heh heh … so true.) A marathon session, reviewing webcomics with sassy, brassy ladies in the lead role! I even had a logo designed and an intro paragraph written (which can be found in The Black Cherry Bombshells review. OK, so it took me all of 3 minutes from googling “gurren lagann yoko” to slapping the logo together in photoshop. But still!

But, you know, actually finding the time to read webcomics and write about them takes forever. I finished about two-thirds of Girl Power Week: along with The Black Cherry Bombshells, I also finished the Earthsong review. But the third comic was too long to do properly. And now here we are, almost a month later.

More than one Webcomic Overlook reader has enthusiastically requested that I take a look at this comic. It’s one of the few comics set in the steampunk framework and does it right. It’s been nominated for Hugo Awards and Eisner Awards, and has won WCCAs and Squiddy Awards (whatever the hell that is). It’s the comic about “Adventure! Romance! Mad Science!”

Yup, you guessed it. The Webcomic Overlook finally reviews the eminent, notable, and prestigious Girl Genius by Phil and Kaja Foglio. The webcomic takes a lot of surprise twists and turns, so I’ll try to keep this review as spoiler-free as possible. However, there will be some revelations (minor ones, I hope), so proceed reading this review at your own risk.

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Warren Ellis: comics can help you perform sabotage, cure Alzheimer’s

Warren Ellis (who created the webcomic FreakAngels, among other things), gave a speech at Dundee University. He claims its was written in chickenscratch … but, as Abraham Lincoln could attest, sometimes the most timeless and memorable speeches come from concise yet powerful ideas that just mentally congeal into perfect nuggets of wisdom. For Ellis, comics are a superior medium. Here’s an excerpt:

I’ve worked in television, and there are a hundred people between you and the audience. I’ve worked in film, and there are a thousand people between you and the audience. In comics, there’s me and an artist, presenting our stories to you without filters or significant hurdles, in a cheap, simple, portable form. Comics are a mature technology. Their control of time — provided you’re not intent on reversing universes (or even if you are) — makes them the best educational tool in the world. Hell, intelligence agencies have used comics to teach people how to dissent and perform sabotage.

When done right, comics are a cognitive whetstone, providing two or three or more different but entangled streams of information in a single panel. Processing what you’re being shown, along with what’s being said, along with what you’re being told, in conjunction with the shifting multiple velocities of imaginary time, and the action of the space between panels that Scott McCloud defines as closure… Comics require a little more of your brain than other visual media. They should just hand them out to being to stave off Alzheimer’s.

Although I think a headline of “Grant Morrison staves off dementia” might be a little premature.

The line I always quote in talks like these, the one I want you to take away with you, is something the comics writer Harvey Pekar said: “Comics are just words and pictures. You can do anything with words and pictures.”

He also talks about doing brown acid with Grant Morrison, which would be a major no-no if he was giving an address at an American university… unless it was Evergreen State College.

(h/t Robot 6.)

Also, did you know that, in the movie Jeans, there’s a song called “Poovukkul” that claims its actress is the Eighth Wonder of the World? That actress? Aishwarya Rai. Look out, Chyna!