Monthly Archives: July 2008
Medium Large is back!
As reported by the Comics Curmudgeon, Medium Large is BACK!
And on WordPress, which means I can add it to my Blog Surfer Roll.
Hoo hah!

For those who don’t know, Medium Large is written and drawn by Francesco “Ces” Marciuliano, the same writer of comic strip Sally Forth. Medium Large provides hard evidence that Marciuliano is not a total square like his newspaper strip suggests. I had planned on reviewing this webcomic a long time ago on this site, but at some point, it completely disappeared from its original home at the “Drink at Work” site. I’ve heard many competing theories about what happened, none of them completely satisfactory.
And now, it’s back. This is great news. AWESOME NEWS. I was starting to think that the comic was lost to us forever. Now Francesco has a legacy beyond shifty-eyed ladies with injection-molded hair.
If you’re new to Medium Large, I highly suggest reading through the Teenage Girl President archives. Silly, glorious, wonderful stuff.
The Webcomic Overlook #50: Acid Keg

I encountered the subject of today’s Webcomic Overlook after The Floating Lightbulb did an interview with its creator, Steve Hogan. Immediately, I fell in love with the art. It was so 60′s. You know contemporary retro artists like Darwyn Cooke and Mike Allred? Pretenders to the throne! They mar their art with personal touches that kill the perfectionist look. On the other hand, Hogan’s art is appropriately squeaky clean. They recall the Jet Age’s unmistakable pop art, where line art was backed by offset blobs of solid color and everything looked better with a crisp six-pointed sparkle.
The interview, by the way, is excellent. I suspect that I’m going to be referring to it several times before this review is finished. However, The Floating Lightbulb didn’t ask the one question that’s on everyone’s minds: is Steve Hogan high when he writes the comic? Perhaps that sounds crass and untoward. However, he did name his comic Acid Keg. Its logo is a beer keg spewing some psychedelic liquid. I’m assuming it’s not 10W40. ‘Cuz if it was, that’s just messed up.
The Eisner Award for Best Digital Comic, which I totally called
Courtesy of ComixTalk’s Xaviar Xerexes, we now know the winner of the 2008 Eisner Award for Best Digital Comic. Envelope, please! The award goes to…
Joss Whedon’s SugarShock!
Longtime readers of The Webcomic Overlook may remember that I totally called it on the review that I posted at the ComixTalk site. Not that it was any huge surprise. This is the second year in a row that the top award went to a creator that was already well established in the print comic realm. Unlike last year’s winner, the Sam & Max online comic*, SugarShock! is actually pretty good. And why not? Whedon is a decent enough comic writer. And the Dark Horse Presents format just may be the one to follow for flash-based comics.
I was personally rooting for The Abominable Charles Christopher, though.
* – After pooh-poohing the 2007 Eisner winner in my review, readers have told me that Steve Purcell deserved the award and how great Sam & Max Hit The Road was. Perhaps. However, the award went to the digital comic, which, seriously, was not that great. It was basically a throw-away bonus comic that was bundled with the episodic video game.
Review of Applied Living on Comic Fencing
This week on Comic Fencing, El Santo reviews the webcomic Applied Living. I’m the odd man out this time. While everyone else seems to have found merit with it (and rated it 2.5 stars), I stand by, strongly, with my one star review.
The Webcomic Overlook #49: The Surreal Adventures of Edgar Allan Poo

The comic named The Surreal Adventures of Edgar Allan Poo, by Thomas Boatwright and Dwight Macpherson, has been bookmarked on my “To Read” list for a long, long time. I had every intention to read it. I’ve never heard anything but good things about this webcomic, supported very recently by its 2008 nominations for the Harvey and Eagle Awards (both of which are leagues more impressive than the garden-variety WCCA).
Yet, I didn’t bother reading the comic for over a year. You can guess why. It’s the name. That goddamn name. When someone mentions the title, it’s usually followed by the phrase “a good comic with a terrible name” or a variant thereof. And why not? No one should utter the words “Edgar Allan Poo” in polite conversation. Imagine this hypothetical scenario playing out at your typical high-brow comic book shop.
Comic shop owner: “If you ask me, Ross Campbell’s Water Baby starts off strong, yet its road trip denouement lacks that je ne sais quois. But enough about me. Pray tell, what comics have you perused lately?”
Me: “Well, I’ve been reading a lot of online stuff. FreakAngels, Octopus Pie, and … er … Edgar Allan Poo.”
Comic shop owner: “I … see. I had no idea! You might find this interesting then. I was just surfing online, and I ran across this delightful video entitled ‘Two girls, one…’”
Me: “STOP.”
Comic shop owner: “But….”
Me: “Just STOP.”

















































































































